soulpope

That`s a nice one - and, if not being mistaken (just out memory...), featuring the magnificent Guido Balestracci on bass viol....

Some of the Danish producers aren`t too shabby either.....would see a used Jamo 8 Concert (or Jamo C 803 being virtually the same speaker) in good condition as a must buy anyday...... Generally speaking build quality is (also) important with these "book shelf" speakers and most of them requiere additionally stands to unfold their potential.....this altogether (at least from my perspective) "drives" the price above a USD 500 range... Recently I`ve read a interesting review of an stylish UK (again !!!) bookshelf speaker http://www.whathifi.com/review/q-acoustics-concept-20 where the asking price is 500 pounds, but the obligatory requiered stands cost another 200 Pounds (just to make clear, this speaker for sure is not a target for "Teasing the Korean" neither price- nor basssoundwise !!!!)

He asked if I sang. I told him I didn't. He said in that gravelly voice, "If I can sing, annny-body can." ;-)

It's funny, I just re-read the original message and noticed the word "bass". (Forehead slap) soulpope is absolutely right. LS3/5A isn't (ahem) noted for its deep, resounding bass. My mistake. Thanks soulpope. no problem...was actually fun to check on some of the clones and probably unveiled additonal inspiration to unpack my old Rogers LS3/5A and give them a run......listen to some music and wait until Scott Dolan comes up with further good speaker ideas with a price tag of USD 500 ..... btw really like your "profile" photo

Peachtree D4 USD 600-700 http://www.peachtreeaudio.com/d4-bookshelf-speakers.html Era D4 USD 600 http://www.6moons.com/audioreviews/era/era.html Stirling LS3/5a V2 USD 1.700 http://www.guildfordaudio.co.uk/store/manufacturer.php?category=&section=Manufacturers&cattitle=Browse%20By%20Manufacturer&page=manufacturer&manufacturer=Stirling%20Broadcast Harbeth P3ESR SE USD 2.500 http://www.harbeth.co.uk/uk/index.php?section=products&page=p3esr&model=p3esr BUT....as "Teasing The Korean" is looking for good bass sound, probably LS3/5A clones are not the way to go....

The composer asserted that he was not conscious of the influence of World War I when composing the 5th symphony, but added that "not one of us is the same as we were before the war". Nevertheless it`s documented that Nielsn wrote about a "evil motif" intervening in course of the first movement...... Probably a good reason to play again the great interpretation by Michael Schonwandt and Dnso released on Dacapo......

Although probably 10-20% above your initial price range, Give these a try (or an ear ): http://www.amazon.com/KEF-Q300B-Bookshelf-Loudspeakers-Black/dp/B00CE3LG9U/ref=sr_1_1?s=electronics&ie=UTF8&qid=1400067765&sr=1-1&keywords=kef+q+300 Quality speakers incorporating astounding bass quality/quantity and finely graduated dynamics........

David, thnx for the Info. thnx for the hint Head Man - was helpfull to reach status "mission accomplished".

LF : LEE KONITZ The Lee Konitz Nonet (1977 Japanese 7-track Roulette label vinyl LP YX-7561-RO in NM/M- condition I would like at least to hear this tracks, so if a boardmemeber can help me a different way pls dropp me a pn - thnx !!

Martial Solal Trio "Sans Tambour ni Trompette" (RCA) 1970 with Gilbert Rovere and Jean-Francois Jenny Clarke (bass)

this seems to work : http://www.camjazz.com/labels/cam-jazz/kenny-wheeler/8052405141095-six-for-six-cd.html So it does...?????...thanks, soulpope. I wonder whether the site was being updated or something when I tried using it...ah, well. BTW the download is dearer than the CD... strange. just file under " the www`s mysteries"

this seems to work : http://www.camjazz.com/labels/cam-jazz/kenny-wheeler/8052405141095-six-for-six-cd.html

As I do believe yourself asking about "Misterioso" Columbia CL 2416, just for the start : Thelonious Monk Quartet Charlie Rouse (tenor saxophone) Thelonious Monk (piano) Larry Gales (bass) Ben Riley (drums) "The It Club", Los Angeles, CA, October 31, 1964 (a) I`m getting sentimental over you Columbia CL 2416 Columbia Legay C2K 65288 (b) All the things you are Columbia CL 2416, Columbia Legacy C2K 65288 Notes : (a) edited to 5.40 on Columbia CL 2416 http://www.monkbook.com/sessionography/sessionography-1963-1965/ http://www.jazzdisco.org/thelonious-monk/discography/ (here you can find inter alias the cross reference reg "Evidence" and CBS/Sony (J) SOPW-69/70 "Monk in Tokyo")

well regarding the 10th backgroundwise i`m always a little preoccupied, as he worked on the orchestral draft in a situation of personal disarray based on his vanishing relationship to his wife Alma........

Mahler Symphony 6 "Tragic" - although finished some 10 years before the outbreak of WW1, this symphony with it`s fate motif and military rhythms colouring parts of the composition is said to stand for a premonition of the forthcoming war.

glad this info was still of interest/helpfull.....actually it was your remark which made me diggin` these infos which were partially either new to or forgotten by myself...... so most likely it was always Pat Patrick on tenor within the timespan January to End of May 1970 (ommitting one gig at the Frog & Nightgown in Raleigh N.C in March 1970, where Paul Jeffrey played tenor instead of Pat Patrick ......the following gig at the Village Vanguard it was Pat Patrick on tenor back again) .....

In 1970, jazz pianist Thelonius Monk tapped Pat to fill in on tenor sax one night at the Village Vanguard. For Pat, who wound up playing with Monk for five months, it was one of the high points of his career. That first night, Terry Adams, one of the founders of the rock band NRBQ, with which Pat also played periodically in the 1980s, was in the audience. "At one point Monk played something new, which completely threw everyone off," Adams recalled. "But Pat got it just like that. Didn't even have to turn the horn." Also the discography from the book titled "Brilliant Corners" states Village Vanguard January 8th -10th, 23rd-24th, 30th - 31st (*) March 5th-8th and 13th - 15th, May 26th-31st, 1970 Pat Patrick (tenor saxophone) Thelonious Monk (piano) Wilbur Ware (bass) and Leroy Williams (drums) btw (*) Ed Blackwell (drums) Toronto Colonial Tavern February 6th - 14th, 1970 Pat Patrick (tenor saxophone) Thelonious Monk (piano) Wilbur Ware (bass) and Beaver Harris (drums) Boston Jazz Wokshop February 24th - 28th, 1970 Pat Patrick (tenor saxophone) Thelonious Monk (piano) Wilbur Ware (bass) and Beaver Harris (drums) http://www.monkbook.com/sessionography/sessionography-1970-1975/

Why would you be so sure? Rouse wears a different suite I'd say (which obviously if it's different nights needn't mean much). didn`t want to raise a (unnecessary) hatchet - but you`re right about Rouse`s suite and the skin of the bassplayer, as far as detachable, looks "white" btw doesn`t look like Larry Gales to me.... Monk looked quite different in 1969. More puffed up, excuse the expression. There's plenty footage from that tour on YouTube, in Paris with Hygelund and Wright (and Philly sitting in) and solo (and duo with Joe Turner) in Berlin. The Paris footage was also released on a cd, discussed in another thread here at length. Moreover, Monk wears the same hat in the photo and the video. He never used the same hat on different tours in different years. Indeed, it is the same hat he had when I saw him in 1965. In all of the 1969 footage he wears a different hat (and different - more "modern" - suits as well). thnx for the indepth explanation - the fact you`ve been there is sufficient proof to me.

Bertrand, as you seem to have an insight - any update on the "Back to the Tracks" Bonus titles ?

Why would you be so sure? Rouse wears a different suite I'd say (which obviously if it's different nights needn't mean much). didn`t want to raise a (unnecessary) hatchet - but you`re right about Rouse`s suite and the skin of the bassplayer, as far as detachable, looks "white" btw doesn`t look like Larry Gales to me....

This was 1965. Same year as http://youtu.be/UfXxDtDuW9g Rouse split after the 1969 Europe tour. So is the picture from following gig ? November 3, 1969 BBC-TV “Jazz Scene At Ronnie Scott’s” programme, Ronnie Scott’s Club, London Thelonious Monk Quartet Personnel: Charlie Rouse (ts), Thelonious Monk (p), Nate “Lloyd” Hygelynd (b), Austin “Paris” Wright (d). My Ideal Reflections Bright Mississippi Oska T ‘Round Midnight I Love You, I Love You, I Love You (Sweetheart of All My Dreams) (p-solo) Epistrophy (theme)

Hindemith "Kammermusik No. 1" - Hindemith was serving as miltary musician from early 1918 onwards in Alsace,later in northern France btw Belgium and witnessed nearly unbearable horror - in early December 1918 he was dismissed from the military service.

The Second Symphony being rather a mournful work in which Roussel incorporates (for sure horrible) experiences envisaged in WW I during his service as ambulance driver and artillery officer He wrote to his wife, “We shall have to begin to live again under a new conception of life; which is not to say that everything that was done before the war will be forgotten, but that everything that will be done after it will have to be different.”

Josef Suk "Legend of death Victors" (1919-1920)

Taras Bulba was composed in memory referring to the massacre of Russians in WW1 - both Taras Bulba and Sinfonietta here in a landmark recording with Ancerl and the CPO.