soulpope

As I do believe yourself asking about "Misterioso" Columbia CL 2416, just for the start : Thelonious Monk Quartet Charlie Rouse (tenor saxophone) Thelonious Monk (piano) Larry Gales (bass) Ben Riley (drums) "The It Club", Los Angeles, CA, October 31, 1964 (a) I`m getting sentimental over you Columbia CL 2416 Columbia Legay C2K 65288 (b) All the things you are Columbia CL 2416, Columbia Legacy C2K 65288 Notes : (a) edited to 5.40 on Columbia CL 2416 http://www.monkbook.com/sessionography/sessionography-1963-1965/ http://www.jazzdisco.org/thelonious-monk/discography/ (here you can find inter alias the cross reference reg "Evidence" and CBS/Sony (J) SOPW-69/70 "Monk in Tokyo")

well regarding the 10th backgroundwise i`m always a little preoccupied, as he worked on the orchestral draft in a situation of personal disarray based on his vanishing relationship to his wife Alma........

Mahler Symphony 6 "Tragic" - although finished some 10 years before the outbreak of WW1, this symphony with it`s fate motif and military rhythms colouring parts of the composition is said to stand for a premonition of the forthcoming war.

glad this info was still of interest/helpfull.....actually it was your remark which made me diggin` these infos which were partially either new to or forgotten by myself...... so most likely it was always Pat Patrick on tenor within the timespan January to End of May 1970 (ommitting one gig at the Frog & Nightgown in Raleigh N.C in March 1970, where Paul Jeffrey played tenor instead of Pat Patrick ......the following gig at the Village Vanguard it was Pat Patrick on tenor back again) .....

In 1970, jazz pianist Thelonius Monk tapped Pat to fill in on tenor sax one night at the Village Vanguard. For Pat, who wound up playing with Monk for five months, it was one of the high points of his career. That first night, Terry Adams, one of the founders of the rock band NRBQ, with which Pat also played periodically in the 1980s, was in the audience. "At one point Monk played something new, which completely threw everyone off," Adams recalled. "But Pat got it just like that. Didn't even have to turn the horn." Also the discography from the book titled "Brilliant Corners" states Village Vanguard January 8th -10th, 23rd-24th, 30th - 31st (*) March 5th-8th and 13th - 15th, May 26th-31st, 1970 Pat Patrick (tenor saxophone) Thelonious Monk (piano) Wilbur Ware (bass) and Leroy Williams (drums) btw (*) Ed Blackwell (drums) Toronto Colonial Tavern February 6th - 14th, 1970 Pat Patrick (tenor saxophone) Thelonious Monk (piano) Wilbur Ware (bass) and Beaver Harris (drums) Boston Jazz Wokshop February 24th - 28th, 1970 Pat Patrick (tenor saxophone) Thelonious Monk (piano) Wilbur Ware (bass) and Beaver Harris (drums) http://www.monkbook.com/sessionography/sessionography-1970-1975/

Why would you be so sure? Rouse wears a different suite I'd say (which obviously if it's different nights needn't mean much). didn`t want to raise a (unnecessary) hatchet - but you`re right about Rouse`s suite and the skin of the bassplayer, as far as detachable, looks "white" btw doesn`t look like Larry Gales to me.... Monk looked quite different in 1969. More puffed up, excuse the expression. There's plenty footage from that tour on YouTube, in Paris with Hygelund and Wright (and Philly sitting in) and solo (and duo with Joe Turner) in Berlin. The Paris footage was also released on a cd, discussed in another thread here at length. Moreover, Monk wears the same hat in the photo and the video. He never used the same hat on different tours in different years. Indeed, it is the same hat he had when I saw him in 1965. In all of the 1969 footage he wears a different hat (and different - more "modern" - suits as well). thnx for the indepth explanation - the fact you`ve been there is sufficient proof to me.

Bertrand, as you seem to have an insight - any update on the "Back to the Tracks" Bonus titles ?

Why would you be so sure? Rouse wears a different suite I'd say (which obviously if it's different nights needn't mean much). didn`t want to raise a (unnecessary) hatchet - but you`re right about Rouse`s suite and the skin of the bassplayer, as far as detachable, looks "white" btw doesn`t look like Larry Gales to me....

This was 1965. Same year as http://youtu.be/UfXxDtDuW9g Rouse split after the 1969 Europe tour. So is the picture from following gig ? November 3, 1969 BBC-TV “Jazz Scene At Ronnie Scott’s” programme, Ronnie Scott’s Club, London Thelonious Monk Quartet Personnel: Charlie Rouse (ts), Thelonious Monk (p), Nate “Lloyd” Hygelynd (b), Austin “Paris” Wright (d). My Ideal Reflections Bright Mississippi Oska T ‘Round Midnight I Love You, I Love You, I Love You (Sweetheart of All My Dreams) (p-solo) Epistrophy (theme)

Hindemith "Kammermusik No. 1" - Hindemith was serving as miltary musician from early 1918 onwards in Alsace,later in northern France btw Belgium and witnessed nearly unbearable horror - in early December 1918 he was dismissed from the military service.

The Second Symphony being rather a mournful work in which Roussel incorporates (for sure horrible) experiences envisaged in WW I during his service as ambulance driver and artillery officer He wrote to his wife, “We shall have to begin to live again under a new conception of life; which is not to say that everything that was done before the war will be forgotten, but that everything that will be done after it will have to be different.”

Josef Suk "Legend of death Victors" (1919-1920)

Taras Bulba was composed in memory referring to the massacre of Russians in WW1 - both Taras Bulba and Sinfonietta here in a landmark recording with Ancerl and the CPO.

furthermore :

Very interesting thread....... Was "circling" around subject CD, but still not done....

This picture is said having been taken during a gig at Ronnie Scott`s in 1970

as there seems to float different versions of these rereleases, could you describe how the cd(=cd-r) looks like btw which indicators made you detecting the cd-r status ?

thanks for the research, this is of course a hefty price tag and even at this level not being sure about the grading (could mean "very good" if checking via a online translation service)....... i wonder if boardmember owning this version of "invitation" could probably help - would really love to hear the bonustracks and the 1990 transfer of all 13 titles .......

Al Haig "Invitation" Japanese CD Release Somethin' Else ‎– TOCJ-5525 from 1990 featuring 5 Bonus Tracks Bonus Tracks as described : http://www.discogs.com/Al-Haig-Trio-Invitation/release/1712336 I`m open to any reasonable suggestion.

Hal Galper`s live outing "Speak with a single Voice", featuring the same players as the great "Reach Out" (also on Enja), is excellent. I thought "Reach Out" was on Steeplechase....and yes, it's a very nice album. My bad - of course you`re right, "Reach out" was a Steeplechase release. Got the recent japanese Reissue - the sound for a live recording to my ears is decent (but never had the LP to compare) - with the original Coverart....compared to the LP there is one additional solo piano track, but another track namely "Children of the Night", having been part of the same titled CD released in 2000 from "Double Time", is missing - could probably a knowledgeable boardmember comment on the 2000 release ?

"Live at The Living Room" (Mercury) 1964

http://www.wikihow.com/Choose-a-Good-Book especially Step 11 is said being of help.....

YES thnx for sharing

I believe he had a "viennese" gig billed as Bill Hardman-Junior Cook 5tet in 1987, me believe taking place at "TU Wien"......memories...... I toured with the Bill Hardman/Junior Cook Quintet through Europe in the fall of 1986. We played Jazzland in Vienna October 7-9. The rest of the group was Walter Booker and Leroy Williams. The concert I deem to remember in 1987 had Mickey Tucker on piano and Leroy Williams on drums, just the bassplayer is "escaping my memory"..........