My unbalanced take on the OJC cd is that some songs just weren’t right for her, like the St.Louis Woman or the hapless Trout song. Sounds like She was at her best in a more personal, despondent setting. I think she was excellent in a torch song genre, perhaps Broadway. Alternatively, That she was with the major swing to bop orchestras, Woody Herman’s and Charlie Ventura’s (any recordings extant?) indicates that she was more multi-faceted than I am giving her credit for.