Stefan Wood

Got my discs yesterday. Listened to the first one in the car today. I LIKE it!!!! Good job. B)

They'll get their stuff directly from Mosaic, so it will be unlikely that anyone who orders through Collector's Choice will get the Smith box.

Brandon, I'm sorry, but I have to disagree. Loss of signal? If you get that then your burner and/or software, or media is defective. I have never, ever had any problems or loss of quality when burning at high speeds. And the time issue? Another falsehood. 80 minute discs sound just as good as 30 minute discs.

Sure, they have been reissued (except for a couple of sessions in the box set), but even those reissues have been OOP for some time now.

Vultures, all of youse! The body is still warm!!!

They played here in DC at Twins last night. I'm shocked that us jazz junkies living in the nation's capitol would even be blessed with their presence, but they came, to the most packed house I have ever seen. Standing room only, people on the stairs, going all the way down to the street. They were introduced as "Die Like a Dog Trio", which brought a lot of guffaws from Brotzmann and Parker. They played some solid music for three hours (time includes an intermission). Loved it.

Which would never happen because the Smithsonian just doesn't have the funds to run that kind of an operation, especially at a non profit. Remember they severely cut Folkways back some years ago....

AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAHHHH With our luck, BMG will buy them out and not reissue a damn thing.

What is it when you are talking about risk? Taking a chance on an unknown artist (like Norah Jones, or this debut cd by Takashi), or willing to support projects that aren't as commercially successful (Osby string quartet projects, Mark Shim, or heck, Joe Chambers or Pete La Roca cds that came out several years ago -- remember?), or hey, even taking artists from other labels into the fold (Wynton Marsalis, Al Green, Van Morrison?). Or is it wanting to take those risks similar to what happened in the 60's, like Bobby Hutcherson with Joe Chambers, or Jackie McLean and Grachan Moncur, Larry Young's explorations, etc. Blue Note ain't the small boutique label it once was, but as far as major labels go, I think they are constantly taking risks. Maybe not the kind of risks we would like (reissue Tyrone Washington!), but risks nevertheless.

Those tracks are the best part of the cd, John. So I would say yes.

I think it is also worth it to be patient. Even "rare" lps will show up again.

And boxes do get returned after going through some sort of odyssey in the mail system. Weeks, months, or in some instances, years.

Great lp! I think I can help with the cover art.

A variety of things, some Blue Notes, Chico Hamilton and John Coltrane Impulses, and Johnny Cash Bear Family box sets! Check for the seller kinggab B)

Damn you Cuscuna!!!!!!!!!!!! (shaking fist at the monitor) Well I can kiss some of that tax refund money bye bye. B)

The one with Don Cherry and Ed Blackwell is good!

JSngry, that is a teriffic book. He also did all the liner notes to the box sets. For some reason I find it funny that popular cultural history books like this are better researched and written than a lot of other kinds of books.

I took the plunge. The "pre-order" price sticks around for a week or so after the release date. Can't wait!

Chuck, you stop smoking and that weight goes right up again! Back to JSP, I have a Louis Jordan set that is teriffic. Mastering is great, but now I wonder if any of it came from the Bear Family set.

It has been mentioned that he keeps talking about reissuing old material, or doing new stuff, but he hasn't gotten around to doing it.

Well.......we'll see! I do like his swinging stuff. I heard the material from the Reprise set and it kind of left me cold. It'll kill my wallet if I go hog wild on getting all his cds!

Okay, I'm getting all three. Looks like I am warming up to Ellington, after all these years of "not getting it." Though I always loved his late 20's - early 30's material..... and Jazz Party!

How is the Festival cd? Is it anything like Jazz Party?

This is an excellent cd -- I loved Horton's first cd on Omnitone, but this shows a lot of growth and expanding on the music from the previous cd. Working with Andrew Hill must do wonders for his compositional skills.

bleah!