danasgoodstuff

"It climbs hills like a Matchless", uhm no - a Matchless climbs hills like that Matchless G80 TCS, North American market only variant

Reuben looks less than thrilled in that pic

I have this material on Mosaic and enjoy it. I'm disappointed but not surprised that they missed those two tracks again. I would never describe organ in general as 'hockey', and would be reticent to even use that term for any particular keyboard sound. The anti-organ prejudice evident in old liner notes is stunning. Roller rinks, ballparks, and churches are all just another part of life to be enjoyed and referenced in art as needed. Since the sessions with Earl Van Dyke were shared with Fred Jackson, that might be an interesting way to reissue them: Fred Jackson Quartet Fred Jackson, tenor sax; Earl Van Dyke as Earl Vandyke, organ; Willie Jones, guitar; Wilbert Hogan, drums. Van Gelder Studio, Englewood Cliffs, NJ, February 5, 1962 tk.4 Dippin' In The Bag Blue Note 45-1842, BLP 4094 tk.11 That's Where It's At Blue Note BLP 4094 tk.12 Easin' On Down Blue Note 45-1843, BLP 4094 tk.13 Southern Exposure Blue Note 45-1844, BLP 4094 tk.20 Preach Brother Blue Note 45-1843, BLP 4094 tk.22 Hootin' 'N Tootin' Blue Note 45-1842, BLP 4094 tk.24 Way Down Home Blue Note BLP 4094 * Blue Note BLP 4094, BST 84094 Fred Jackson - Hootin' 'N Tootin' 1962 = Blue Note CDP 7243 8 21819 2 7 - 1998 * Blue Note 45-1842 Fred Jackson - Dippin' In The Bag / Hootin' 'N Tootin' 1962 * Blue Note 45-1843 Fred Jackson - Easin' On Down / Preach Brother 1962 * Blue Note 45-1844 Fred Jackson - Southern Exposure Parts 1 & 2 not released Ike Quebec Quartet Ike Quebec, tenor sax; Earl Van Dyke as Earl Vandyke, organ; Willie Jones, guitar; Wilbert Hogan, drums. Van Gelder Studio, Englewood Cliffs, NJ, February 5, 1962 tk.28 Intermezzo Blue Note 45-1840, LT-1052 tk.32 But Not For Me Blue Note 45-1841, LT-1052 tk.34 All The Way - tk.37 All Of Me Blue Note 45-1840, LT-1052 * Blue Note LT-1052 Ike Quebec - With A Song In My Heart 1980 = Mosaic MR3-121, MD2-121 The Complete Blue Note 45 Sessions Of Ike Quebec 1987 * Blue Note 45-1840 Ike Quebec - Intermezzo / All Of Me 1962 * Blue Note 45-1841 Ike Quebec - All The Way / But Not For Me not released Ike Quebec Quintet Ike Quebec, tenor sax; Earl Van Dyke as Earl Vandyke, organ; Willie Jones, guitar; Sam Jones, bass; Wilbert Hogan, drums. Van Gelder Studio, Englewood Cliffs, NJ, February 13, 1962 tk.3 How Long Has This Been Going On Blue Note LT-1052 tk.6 What Is There To Say - Gone With The Wind rejected tk.15 Imagination Blue Note LT-1052 tk.24 With A Song In My Heart - tk.27 There Is No Greater Love - Be My Love rejected * Blue Note LT-1052 Ike Quebec - With A Song In My Heart 1980 = Mosaic MR3-121, MD2-121 The Complete Blue Note 45 Sessions Of Ike Quebec 1987 Fred Jackson Sextet Fred Jackson, tenor sax; Earl Van Dyke as Earl Vandyke, organ; Willie Jones, guitar; Sam Jones, bass; Wilbert Hogan, drums; unknown, congas, shaker. Van Gelder Studio, Englewood Cliffs, NJ, April 9, 1962 tk.9 Minor Exposure Blue Note CDP 7243 8 21819 2 7 tk.18 Little Freddie - tk.19 Teena - tk.23 Mr. B.J. - tk.30 Stretchin' Out - tk.33 Egypt Land - tk.35 On The Spot - * Blue Note CDP 7243 8 21819 2 7 Fred Jackson - Hootin' 'N Tootin' 1998

'But in a good way'?

So, what's the story on the Nothing But Soul/House Warmin'/Heavy Sax session appearing on different label with different album titles and different names for the tunes and sometimes credited to Ammons and sometimes to Howard McGhee? And why did Jug and Red Garland never record to together when they were both on Prestige?

Thank you

Veen listening to a lot of Jug recently, early or late, big bands or small, doesn't even matter much to me.

You know perfectly well that isn't what he was saying. Total straw man argument. On the other hand, this is totally reasonable and moves the conversation forward.

I first heard the Japanese LP selections from this date relatively early in my jazz journey, but still after I was kind of familiar with Miles in general and this band in particular. I don't hear structure particularly well and it would never occur to me to make an effort to check their work to see if they had abandoned the form of Stella or not. Sure, I can hear that in some sense they are pushing things further than on My Funny Valentine or Four. I hear the energy and interaction and inventiveness and soul. To me this is raw and real in a way not even come close to again til the Lost Quintet. When I first heard it, I hadn't heard nearly as much by the Quintet's members as I have now, but I don't think that's changed my perception here much. I know the tunes a little better than I did then, but my enjoyment isn't much affected by how well I know any of them, which varies a good deal. I think assumptions about the accessibility of jazz performances based on 1950s pop paradigms are just weird. There are many ways to approach this music.

FWIW, the bad disc/CD-R replacement thing sounds vaguely familiar. But I don't recall the details at all. And again FWIW. I find the Plugged Nickel the most compelling of all Miles live recordings although I own and enjoy lots of others too.

Thanks, as a big fan of Bechet I'm not sure how I could've either not known or forgotten that.

I was listening to Gene Ammons play Strange Fruit, is there anyone else who could make that work as an instrumental?

That's a nice box set. Larry Williams did some great stuff and inspired some pretty good covers too.

As far as things on Capitol go, the Beach boys and that band from Liverpool were also on the label. So was hank Thompson and you could asswmble a nice swinging set of instrumentals from his early albums like the perfectly titled Dance Ranch.

I love Jimi, but I'm dubious at this point on buying any more than hours 'n hours I already have.