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felser

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About felser

  • Birthday 11/29/1954

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    https://www.linkedin.com/in/john-felser-a540b318/
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  • Gender
    Male
  • Location
    King of Prussia, PA (Suburban Philly)
  • Interests
    Music (especially 50's-70's jazz, rock, soul), books (non-fiction) and movies, sports (baseball, pro football, probasketball) Christian faith, domestic abuse ministry.

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  1. felser
    +1
  2. felser
    Never really thought of that aspect. I know the repertoires and the musical landscape were very different by the mid-60's, and that they switched to Mosrite guitars around the same time Edwards became the lead player in '63, switching back to Fender's around the time he left in '68. I find much to enjoy in all of their albums, but the early work is the essence to me.
  3. felser
    OK, here's current status: 2,3,5,6,9 - Fully ID's 8,10,11 - artist and song ID'd, album not 1,4 - artist ID'd, song and album not 7 - vibes player ID's, group, song, and album not (and they won't be)
  4. felser
  5. felser
    Hard to respond to this without getting flagged for political content!
  6. felser
    RIP, enjoyed his work with Tull, Blodwyn Pig, and his early 70's solo albums.
  7. felser
    Beautiful song, a Stevie Wonder-penned gem. Bought the album for that cut alone (sort of hate the title cut).
  8. felser
    Finally got around to decorating our tree, and as always, this was the go-to music for that activity, going back to my childhood:
  9. felser
    Yeah, both that one and this one. And don't sleep on this amazing archival release from last year, with Pharoah and Archie Shepp:
  10. felser
    I had a cut by Circus Maximus, "The Wind", on an initial version of my current BFT, but decided I'd take too much grief from certain quarters for including it along with the other vocal cuts. Very 1967 (in a good way):
  11. felser
  12. felser
    I have them both on CD. The first is excellent due to the vocals of Dorothy Moskowitz and the violin of Gordon Marrone. The second is less interesting. Byrd's vocals are actually an annoyance, but credit him with the project conception.
  13. felser
    The Paisley Underground was the last musical development in rock that really spoke to me, and this group was the best of all from it:
  14. felser
  15. felser
    Flying Dutchman was a fascinating record label in a fascinating era. The drone thing doesn't make sense for my neighborhood with our quarter-acre lots, maybe somewhere more ex-urban where the houses are father apart.
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