I just finished spinning "BlowUp" from this. What I love is that Herbie's solo begins with a rather wacky variation of "Maiden Voyage" and at the close he slyly quotes "Cantaloupe Island". I guess with the mistake of hanging on one chord too long the performance and soloing is so good they decided not to do another take.
I do too, but they certainly are different. Mighty big of Hutch to give Joe so much space on his dates. Nearly an hour of Chambers tunes (in total), if I remember correctly. I intended to make a CDR of all of them once, but never got around to it.
I should at least remind myself of what all those Chambers tunes are (yes, I'm fishing to see if anybody already already has that list handy, or else I'll get to it myself one of these days).
Third the Chambers tracks. In fact, I like the second half of Components waaay more than the first half.
I'll publicly concur with Al's view, so he doesn't feel too isolated. I've always found those Chambers cuts to be overly difficult.
I rather like the organ tone clusters on "Air". I wonder if "Dialogue", "Components" along with "Some Other Stuff by Grachan Moncur are some of the catalysts for the eventual European free improv movement? Because I hear in these albums a lot more of that kind of European approach to free playing, than say what Trane, Shepp, and Sanders were doing.