CJ Shearn

Cobham plays the tradition as well as anything, though it's not what most know him for obviously. I heard bits of those albums with Ron Carter and Kenny Barron, (I think) and "Cherry" by Stanley Turrentine, if all you think of Cobham is speed, there is so much taste, swing and groove on that one.

Cool! About time this comes out officially, I had been holding out on checking out the boots for this very reason. Everything from this period of Trane's career is so interesting."Leo" is certainly so intense from "Live in Japan", probably one of my favorite performances from that, will love to hear that from this gig.

I will DEFINITELY check this out, I hope it's well written and researched. I know some people aren't as into Blue Note today because it's not the same, actually a continuation of the "Blue Note Hits a New Note" in a new skin. I think Don Was is doing a great job at letting musicians follow their instincts under today's BN banner. It's records like "Black Radio", the Jose James one that came out, Derrick Hodge's "Live Today" which will bring new listeners to check out the history, we as longtime fans all love.

Great news. I admit my collection is sadly Cannon deficient as a leader, I had always intended to grab "Things Are Getting Better" but never did, just hit interests in other things.

Yeah, I still need vol. 2 (heard it, ad it's great) He's always trying to grow, I really admire that

I remember being a bit bogged down by those alternate because the original album is just so perfect

Wow, great story, I never heard that one! I used to have the Deluxe Edition of "Ballads", and Trane, despite moving into the outer reaches, still played magnificently. I mean, no matter how "out" Trane got, there were always hints of tender playing ("Compassion" is beautiful) blues, and bop.

Well said Soul Stream......... the way he utilized that straight 8th playing that JOS had used in the early days was great too, Johnny made his own thing. The ballads, well........... JHS was the best. My boss has asked me to eventually compile an ebook of the essential jazz listening blog writings, not sure where it will fit, but I'm going to talk about organists and discuss Johnny's contribution to the idiom. There are many who read the blog who are unaware of him, McDuff, JOS, Don Patterson, those cats. I want to help raise people's awareness of the history of the organ, for people who are students who read the blog, and for general people checking their blog.

Congrats!

Pat Metheny Unity Group

Wow, sounds like a great read, I never knew much about the pre '69 McLaughlin either. He played in a group with Jimmy Page, when they were young, right? Also with Dick Heckstall Smith and Jon Hiseman?

Yes, he truly was.

Will they just kill the fusion monicker, and start calling it what Lenny White says it is, jazz rock? All jazz is a fusion so I've really become annoyed with the term "fusion" over the past several years.

Looking forward to picking this up sometime........ I love the original "At Fillmore" album as I said, but, the edits made it such an annoying listening.

To be 100% truthfully honest, the tunes and playing on "Black Codes" are great. That's an album I grew up with, when Wynton mania was at it's height. My mom bought that and I think the Haydn trumpet concertos (the one where Wynton has a traditional 3 valve and 4 valve trumpet on the cover). What happened afterwards, with all the politics was just strange. "Knozzmoeking", "Hesitation", "Delfeayo's Dilemma" all great tunes. I still feel Wynton's solo on "The Impaler" from Tain Watts first album in '99 is the last great solo on a record b/c he was really pushing himself, then Branford goes totally bonkers outside, which makes it one of my fav. tunes period. "Live at the House of Tribes" had too much of a forced live recording vibe to it.

Seeing them live in NYC next friday. Cannot wait!!! A friend of mine who's never heard Pat will have her mind blown, I think. The only bad review I've seen of this tour came from Howard Reich, who just went in with the agenda to bash Pat. He has no tolerance for jazz that goes past 1970, clearly, or that uses electronics. Pat's son is a huge dance music fan (heard him say that in other interviews) and part of the title track's sonic influence comes from what Pat's heard in that music....... so so great

Lou is so great on the Blakey's, the Jimmy Smith stuff, the things with Lonnie, "Lou Takes Off", "Here Tis".

RIP

I have "Victory" and need to spin again. It's a great album, it reminds me of a Branford trio disc but more concise. Allen's playing is great on Jaimeo Brown's "Transcedence" which as I said before, is a deeply moving, profound album.

It was supposed to come as an US Verve reissue years back, but then it was reissued by a Russian outfit. Was that legal, that reissue? It was never on CD anywhere before that, I don't think.

Been a while since I looked at the back tray cover, but '57.

I'm with Sangrey on this one, it sounds waaay off in the first few bars of the second chorus, I got thrown off........ great playing still, but it's very off in that brief moment he mentions

All Day Long and All Night Long issued under the Prestige All Stars in this series

How are the 2 Burrell's and the "Olio"? I heard a 70's twofer vinyl pressing of the latter years ago (was it a twofer? WHRW at Binghamton University has a green label 70's pressing), used to have the OJC of "All Day Long" and I recall there was a spot where the tape sounded like it got wrinkled a bit. Not a dealbreaker for me, but curious as to how these sound. There are several titles I want in this series, but can't buy anything right now.

Gotta hear this one, still haven't heard "Quartet" or "All Our Reasons". I have seen YT clips of this band a long time and I love what they do.