thanks Lon! when Jack explodes it has a completely musical purpose, not a chops fest. Also I really love the way he plays the bass drum, it really adds an implied funk quality in a lot of what he does I feel. Ex: check his classic what I like to call "broken funk" rhythm on Charlie Haden's portion of "Two Folk Songs" also on "80/81". Ditto for "The Turnaround", his loose swing makes Pat exclaim at the song's end "wooooooooooooooooooooooooooooooooooooooooooooooooooooooooooooo! Jack DeJohnette man!" or Lee Morgan's "Jack, Jack, Jack! Jack be nimble, Jack be quick!" at the end of that absolutely burning, vicious, torrid "Speedball" on "Live at the Lighthouse". His playing on that brings everybody to a whole 'nother level, especially Lee and Bennie Maupin when they each trade 12's with him.