adh1907

Yes. Very Interesting character. The Neneh Cherry/ Marshall Allen sounds like something off Attica Blues. thanks for linking Rostasi.

Gilles Peterson interviewing Jimi Tenor this weekend mentioned getting Marshall Allen to play recently on stage with the Arkestra in New York, then meeting him the next day with Marshall standing outside in the freezing cold having a smoke, after having been up all night. About 1hr 54 into his BBC 6 radio programme on Saturday, tried linking but didn’t work.

Not a big Dylan fan either, but it’s a great ‘film’ rather than a documentary. It has a pace to it, that you forget it’s over 2 hours. The cinematography is brilliant. You really feel you are in Greenwich Village or at the Newport folk festival in the early ‘60s.

Ok ta, new to me

A brilliant, funny and moving film. I don’t think promoting this as a buddy movie has done it any favours. I have raved about it to all my friends, saying ignore the buddy movie billing. What’s HULU?

OT but I saw the Rip Rig and Panic spin off group, Float up CP (as in Charlie Parker) with I think a v pregnant Neneh Cherry and Andi Oliver singing. Around 1984 in a church hall in Kentish Town. Great gig!

I wonder if the prize is supported by the compensation paid to Marion Brown for the botched amputation of his leg? I can’t think off hand of any alto players influenced by his distinctive style. A true one off.

The earlier reissue of Flashpoint came with a DVD film of the recording session. Was fascinating to see the older musicians like Ronnie Scott really getting into this new music.

To be playing composed music, as implied, after taking LSD, challenging. Will have to relisten to Basra.

Think this is worth reposting. Strozier’s solo is very good here. Klemmer’s, awful. Love the Sun Ra style costumes.

Followed by this great UK Fontana Kirk compilation. J C Moses with Kirk on Cabin in the sky. Wow, what a drummer. Shame he died so young.

UK 1961 white label Mono, sounds great. One from my Dad’s collection. Griffin really goes for it. Not sure if he did a long stretch at the Five Spot, like Coltrane. Evidence is the stand out track, with Haynes going crazy under Griffin’s solo.

Founder of pot smokers anonymous, see NY Times 1979 obit https://www.nytimes.com/1979/10/10/archives/david-izenzon-bassist-antimarijuana-adviser.html

Reactivating an ancient thread, on the sleeve notes to Harold McNair’s Affectionate Fink on Island Records, David Izenzon is said to be collaborating on an LP with Gil Evans. Sleevenotes (by Charles Fox) are from autumn 1965. I wonder what that project was. Any ideas?

Clearing my parent’s house this summer, I found this with a sticker on which my Dad had written, ‘first record I bought, give to Anthony.’ I also discovered a Max Roach Drum Quintet 78 originally on Debut records (Esquire edition) with Hank Mobley. Just one of those things. Looking forward to playing this. Anthony London

An absolute classic. Desert island disc for me.

Horace Silver Trio Blue Note CD. Safari and Yeah are the same tune, yes? Feather and Blumenthal liner notes don’t seem to acknowledge this.

Fôrça Bruta, Jorge Ben. An essential reissue from Dusty Groove. One of my favourite albums, every song a classic. Ps not into streaming, how am I going to cope as I about to sell my 20 year old Golf with CD player. This CD has been a constant favourite in the car. The punchy horns on Domenica sound perfect over a car stereo.

Spark me up. I wonder what contribution jazz photography made over the years to nicotine addiction. Anthony (ex smoker, last gasp 2008)

Anyone going to see David Murray at Cafe Oto next week?

I don’t have that. How is the sound on that issue? The RVG CD reissue is awful.

I admire your dedication, an epic trip, getting home at 3am, you’re probably relieved it’s not tonight, with the ice and snow. Puts my 20 minutes on the tube in the shade. Yes, it’s definitely worth noting the reverence with which Charles spoke about Max throughout the evening. I liked his anecdotes about having to nail the Max Roach Clifford Brown tunes as a young trumpeter. Shame I missed that Tolliver select.

I have just played or attempted to play these back to back, I had to give up on the RVG twofer ‘Meet you…’. The distortion on the sax and piano was awful. It’s now in the charity pile. The earlier CD (at the Jazz Corner) with Mobley sounds good, lively, in the room sound. I wonder if there is a big difference in the original vinyl issues.

Great to meet you too Bob and have a chat. Not sure if you noticed, but we were being told off at one point in the pub afterwards by a 'youngster' for talking too loud! Excitable business, live jazz! First half was Charles with a small group, suffered a bit from the Barbican acoustics muddying the sound. Charles didn't play too much solo but checking his age (82), that was perhaps understandable. He gave a lot of space (maybe too much) to Camilla Thurman on tenor. The second half, the big band, worked better for me. Spirited stuff and the power of the band really cut through. Anthony PS Hope I get chance to buy you that pint I owe you!

Yep, two different sessions. I wonder why Blue Note gave these records, released within a year of one another, such similar titles. I wonder if there has been confusion within modern Blue Note as a result, leading to comparative neglect of the earlier date. (At the Jazz Corner, not Meet you at the….).