Son-of-a-Weizen

...and since you are now into books written by Icelanders..... You sure you wanna take my money? We wouldn't want you to be drummed out of the club for being a heretic or anything.

Been spinning 'Al & Zoot' (Coral 20-bit) over lunch and realized that this is the only Cohn disc in the collection. Not only are the tunes great...but it seems like an exceptionally warm, rich, buttery soft sounding cd. Anything else out there that I might want to make a play for? Thanks.

Yes, RR....what Ed said.

You mean "is this an investment site or is it about the music?" Lay off the Scotch for a night..... B)

Some Fugly stuff there!

J.J. Johnson.

You lucky son-of-a-gun, you son-of-a-weizen! How's the booklet for that Brooks box? Pretty good! We get to hear about how your Indiana man Freddie Hubbard stayed at Brook's place in the Bronx and would get lost on the subways every night after gigs at the 845 Club......dodging hoodlums and so forth. I'll send you a copy.

Based on this New York Times piece....I think it's safe to say that you inferred correctly. Maybe they can cut a deal with Gibson? He'll drop his plans to produce Christ: The Sequel, Christ Dies Hard and Christ Takes Tel Aviv....and Hollywood can shelve plans to produce another planned miniseries set to broadcast on Easter and Christmas called Christian Holocaust Guilt Parts 303-370? February 26, 2004 New Film May Harm Gibson's Career By SHARON WAXMAN The New york Times LOS ANGELES, Feb. 25 — Mel Gibson's provocative new film, "The Passion of the Christ," is making some of Hollywood's most prominent executives uncomfortable in ways that may damage Mr. Gibson's career. Hollywood is a close-knit world, and friendships and social contact are critical in the making of deals and the casting of movies. Many of Hollywood's most prominent figures are also Jewish. So with a furor arising around the film, along with Mr. Gibson's reluctance to distance himself from his father, who calls the Holocaust mostly fiction, it is no surprise that Hollywood — Jewish and non-Jewish — has been talking about little else, at least when it's not talking about the Oscars. Jeffrey Katzenberg and David Geffen, the principals of DreamWorks, have privately expressed anger over the film, said an executive close to the two men. The chairmen of two other major studios said they would avoid working with Mr. Gibson because of "The Passion of the Christ" and the star's remarks surrounding its release. Neither of the chairmen would speak for attribution, but as one explained: "It doesn't matter what I say. It'll matter what I do. I will do something. I won't hire him. I won't support anything he's part of. Personally that's all I can do." The chairman said he was angry not just because of what he had read about the film and its portrayal of Jews in relation to the death of Jesus, but because of Mr. Gibson's remarks defending his father, Hutton Gibson. Last week in a radio interview the elder Mr. Gibson repeated his contention that the Holocaust was "all — maybe not all fiction — but most of it is." Asked about his father's Holocaust denial in an interview with Diane Sawyer on ABC, the movie star told her to "leave it alone." The other studio chairman, whose family fled European anti-Semitism before the Holocaust, was less emphatic but said, "I think I can live without him." But others said there would be no lasting backlash against Mel Gibson. "If the movie works, I don't think it will hurt him," said John Lesher, an agent with Endeavor. "People here will work with the anti-Christ if he'll put butts in seats." Mr. Lesher added, "He put his own money where his mouth is. He invested in himself." As Mr. Lesher implied, Hollywood is also a place of businesspeople, and Mr. Gibson is a proven movie star, popular with audiences. There are few actors with that kind of bankability, no matter their personal views. Mr. Gibson is also a capable director. So some of the initial reactions to his film may fade over time. Mr. Gibson not only directed and helped write the $30 million film, but he also paid for it, including production and marketing costs, out of his own pocket, which Hollywood has filled. As an actor and successful director, from "Mad Max" (1979) through "Lethal Weapon" (1987) and its sequels to the Oscar-winning "Braveheart" (1995), Mr. Gibson has long been a Hollywood pet. But he has also been known as a prankster and a self-confessed abuser of various substances. Many in the relentlessly secular movie industry see his recent religious conversion — he practices a traditionalist version of Roman Catholicism — as another form of addiction. Last Friday the media billionaire Haim Saban, former owner of the Fox Family Channel, sent a concerned e-mail message to friends about Mr. Gibson and his father. The message forwarded an article by the journalist Mitch Albom calling on Mr. Gibson to repudiate his father's denial of the Holocaust. Mr. Saban sent the article to, among others, Roger Ailes, who heads Fox News; Norman Pattiz, who runs the Westwood One radio network; and Michael R. Milken, the securities felon turned philanthropist. Amid the daily dealings of Hollywood, the film and the star have been fodder for unfavorable gossip. Dustin Hoffman has talked to friends about what he called Mr. Gibson's "strangeness" during the ABC interview. The producer Mike Medavoy said Mr. Gibson's religious zealotry made him feel uncomfortable. Mr. Hoffman is Jewish; Mr. Medavoy is the child of Holocaust survivors. "One question is, `What propelled him to make the movie about the passion of Christ?' " Mr. Medavoy said. "It makes me a little squeamish. What makes me squeamish about religion in general is that people think they have the answer: `I think my God is the right God.' How do you argue against that?" But many non-Jews in Hollywood have also been unhappy about the religious divisions that the movie has exposed and could deepen. A public relations expert who usually works closely with Newmarket, which is distributing the film, said she declined to work on the film, though she is Roman Catholic. "This kind of thing tends to bring out the worst in people," she said, insisting that her name not be used. The director David O. Russell, who described himself as areligious, said that although he had not seen the film, he was disturbed by the prospect that "The Passion" could feed anti-Semitism. "There are so many wonderfully provocative things about Jesus' life and death that challenge us to be better people," he said. "If it stirs anti-Semitism, then what a wasted opportunity." Melisa Richter, a publicist who worked for one of the largest Christian movie production houses in the country, Cloud Ten Pictures, wrote in an e-mail message that the film "feeds into the culture of anti-Semitism that is out there, repeating it again and again in a popular format (the film medium), lacking vital historical context and background." Several prominent people interviewed for this article said they were curious about the film but would not buy tickets to see it. Still, some of Mr. Gibson's Jewish friends have been defending him and the movie. The producer Dean Devlin, who is Jewish, said, "It's a phenomenal movie about love and forgiveness, and I personally didn't find it anti-Semitic whatsoever." Mr. Devlin said that he thought those in Hollywood who were angry would get over it. "I think it's a big issue today, as the movie is opening, but over time it will be seen as one of many beautiful renditions of the story," he said. "My hunch is this will pass, this film will be remembered as a beautiful film, and Mel will go back to making movies. That's my hope." Alan Nierob, Mr. Gibson's publicist, is himself the child of Holocaust survivors. "I think Hollywood appreciates good art and will embrace the talent of a filmmaker," Mr. Nierob said. "I don't see a negative reaction."

This is a very interesting phenomenon which affects me as well. I own a few box sets and I never listen to them. There's something psychologically strange about that, but I just don't naturally reach for a box set when I put a disc on to play. Any others feel that way? More or less. Excluding the Mosaics, most of which are vinyl... I've ditched every large box set except for the Evans 'Riverside' and will only keep a few smaller more manageable sets around (ie. Garland's 'Complete Prelude'...& a few Selects). When it comes to BN material, I'll buy what I can get now and then sort it all out later. Buying a Reece Select box when I already have the TOCJs/JRVGs & Conn. is undoubtedly a knucklehead move. It's good to be a knucklehead.

Same here.

Well, the Jewish owner (Ms. Bernstein) of a D.C. theater doesn't seem to happy about all the threatening phone calls she has received for allowing the film to be shown. Obviously, it ain't Christians doing that --- could it be a renegade member of Alex's Jewish-Atheist Club gone berserk??

Yeah sure Philly, maybe you can send a note off to him and see if he can't axe all the unrealistic gore from that kinder & gentler period in human history http://users.erols.com/mwhite28/romestat.htm when the Scythians weren't really drinking blood from the skulls of victims, etc......and see if he'll produce a 'sing-a-long' version like this:

Movie critics are a totally irrelevant species. I can't remember the last time I saw so many of them line up and use the same variation of 'gratuitous violence & gore' -- were talking points handed out or something? I guess I need to go back and see how they reviewed Pulp Fiction, Scarface, Goodfellas and the other 10,000 or so bloody films out there to see if those movies rated that same "gratuitous violence" -- or is it just Gibson who had the target on his back, so they might as well pile on? But if this is the start of a wave of moralizing by the critics --- that violence on screen begets violence and thus the movie industry needs to know what part it plays in causing violence in our society......wait!! what am I saying?! Of course they can't say that. In fact Hollywood goes to extra lengths to deny that their product influences any children or adults to do terrible untoward things. So what's it gonna be?

Well talk about the luck of the Irish!! Anything in Tod's collection is on the table...you just name it!!

I looked in the mirror, Chuck..and told the absolute truth -- I've never purchased a single cd from Walmart -- and the mirror smiled back approvingly. ....anyone else? B)

Taunting me with that Dorham TOCJ that I lust for.....damn your eyes!! Hmmm, there must be some JRVG you'd want for it?

Yes sir Boss, I do appreciate that! Me and the main man are all saddled up and ready to ride into town iso one of them nifty JFK prep-school JRVGs.

A legendary event.

squid!

I agree.

Ya don't say. Tell us again where you really live?