Not necessarily. There is always a certain low percentage of incorrectly copied 0s and 1s. That is why we need error correction and oversampling. Try copying a CD at different burning speeds and play them back. Quality of CD players has a lot to do with how accurately they read the data.
Interesting view. I found Green's repeating of phrases a welcome variation in playing style, raising the intensity with this insisting way of confirming a phrase. You can just easily get stuck in the necessity to run the changes and the lack of rhythmic variation in a linear bebop style.
Drummers: Frankie Dunlop, then Shadow Wilson. Blakey was playing what he always played, Riley was not really an individual stylist, although he really leaned in.
Bassists: They all fit in, as long as they were strong walkers.
That's what he was!
I know, but right now there is no other source for the cover, not even on the label's website. I intend to replace it as soon it is featured somewhere else. BTW I as the poster, see it too!
Just to add that all the links I posted will not work anymore. Her own website hosted by JazzCorner was soon deactivated, and CD Baby no longer has a webshop. You can find her CDs as used copies on discogs, of course. Too bad.
One of my underrated favourites is Earl May, whom most may know from his participation on an early Coltrane Prestige session (but even the CD reissue does not include the alternate take of the Blues tune):
What really opened up my ears for his playing was this Mickey Tucker album: