mikeweil

He told it is really unpredictable how sales develop. Some items printed in one thousand copies still are in stock after twenty years and he has no idea if they ever will sell. Others sold so fast he had them re-pressed immediately. He has to be careful with investing and always looks for top quality original source material. Anybody looking for items markes as sold out on his website are encouraged to contact him directly. Chances are he still has a handful of copies in stock.

He simply loved Schapowalow's photo for its symbolic meaning. So much for cover art esthetics. No. He does not see a potential buying audience for any of those you mentioned. This is really obscure. He confessed it is the first time he ever heard of that musician, group, and the magazine.

Meeting with my old friend from schooldays, yours truly (far left), and Ekkehart Fleischhammer (far right)

No questions?

Author Sue Miller plays flute and has her own charanga in Britain. She concentrates on that style, much about Eddie Plamieri, Rolando Lozano and the like.

As it turned out I will meet Ekkehart Fleischhammer of Sonorama Records in Berlin this upcoming Saturday. A mutual friend there recently made his acquaintance. Any questions that I might ask him? http://sonorama.de/

I suspect there were surplus cooies of all partials to replace defective material. Mosaic sold many of these.

How about suggesting a Soulful Strings box set to Mosaic?

Is there any info about the rhythm section? Cleveland Eaton on bass? Henry Gibson on congas? It is really very nice, but copies go for high prices.

Some details here:: https://academic.oup.com/mississippi-scholarship-online/book/37777

https://www.discogs.com/release/23054144-Mozart-Mozarteum-Orchester-Salzburg-Reinhard-Goebel-New-Mozart-Vol-2/image/SW1hZ2U6NzczMTQzNjE=

We will attend a concert of this ensemble this evening with most of these pieces plus one of Zelenka's sonatas. Excellent music, and they are stunning players.

That's a good album, and the organ date is excellently recorded!

This is a very interesting publisher. I could by a third of their music books right away ...... sigh .....

https://www.discogs.com/label/95676-Astrée-Auvidis https://www.discogs.com/label/199787-Astrée?redirected=true Yes, but the label is no longer active. Jordi Savall reissued his recordings on his own label Alia Vox.

The gallery concerts were fine as expected, with some rare music that I will most likely never hear again in my life. The format is nice: six programs of 20 minutes each, all of them perfomed twice, in three galleries, so you can har a total of four different performances hopping from place to place. We chose pieces by C.P.E. Bach and Carl Heinrich Graun for two violas and harpsichord, a solo harpsichord recital with Froberger, Sweelinck, D. Scarlatti and Buxtehude, and third a set of quartets for oboe and strings and Gaßmann and Druschetzky, two rather undersetimated Haydn/Mozart contemporaries. As if this wasn't enough, this afternoon we attended the fourth and final concert of a series dedicated to the lesser known sides of Georg Philip Telemann. Songs published in a magazine as exemplary examples for basso continuo practice, some so-called "moral cantatas" with humorous texts, and concertos and suites for flute and harpsichord, usually performed as trios, but also possible for just two players with the harpsichordist playing two parts at once. Georg Poplutz was the perfect tenor voice for this, who confessed enjoying this welcome secular music where sacred music is what he most often is called for. Daniela Lieb and Eva Maria Pollerus, both professors at the Frankfurt music high school, were great as always. Pollerus brough her great sounding copy of a Zell harpsichord, the perfect instrument for this music. We are lucky to have such great performers in our region, and this month is packed with great concert programs - I consider going to the Clavier-Abend Monday night, where students of harpsichord and fortepiano present what they are working on.

Thanks for researching and posting. This kind of sharing information is what makes this forum so great.