thejazzchick3

In the past 24 hours, since joining the "O" board, I have been basically called "sad," I have had my integrity questioned, and dismissed. Everyone of you has the right to do or say what you want about me. That's the beauty of these forums. You get to express yourself in an open and free wheeling way. As a performer, writer and activist, I have prided myself on being able to take criticism and rejection flat out. I guess what is disturbing is that I simply came to the board out of the spirit of wanting more input. I never was in it for self promotion; I have my own career and agents for that. I most certainly was not in it for the money. I, in fact have spent more of my own time and money than I will make on my page in a year. Because you don't know me, you would not know the countless numbers of people in the industry who are frustrated with the gate keepers who won't even give a glance to great established and new artists because they don't fit some "model"of what celebrity should look like. I have been blessed in that for the past 15 years, I have been able to earn my living as a performer. I have not had to wait tables, or temp. I have earned a really good living. So, when someone close to me suggested that I write for the Examiner.com, because of my love and respect for all that have not had the same opportunities I have, I thought I would give it a try. Until yesterday when I joined "O," I thought I had contributed. I still believe in some small way, I am helping to bring a voice to some people in our industry. I have worked with musicians that work numerous jobs just to keep the music and the dream alive. I guess I did what you should do when you believe in something so deeply. I put myself out there. When you do that, you take what is dealt you. But for the record, I was here for the suggestions, the discussion and yes...the debate. If anyone on this board thinks otherwise due to some lack of judgment on my part, I sincerely apologize. That is all I can do. Thank you.

In all seriousness, welcome Carole and I'm sorry your first encounter here was so rude. There are a lot of strong personalities here and I'm trying to foster more civility on the board after letting things "run free" for quite some time. Stick around and let us know what you're up to and if organissimo (my band) is ever in New York perhaps we can hook up. Thanks so much. That was hysterical!!! I have been a character actress in the big leagues for a while now...I am used to it. I would love to hook up! I am getting great feedback. Lots of people already on my list of "must contact." I get bombarded with press kits and promo material. I really do want to lift up the artists that don't have a lot of support and give them a voice. I just started 3 weeks ago! I am trying to write between 4-6 columns a week while handling my acting career. That's not including the venue/club hopping and CDs that are being sent to me every day. I'm lovin' it, but it's a lot. I might need a little time to get around to everyone.... Thanks again...I will be leaning on folks here from time to time, and I hope people won't mind. So far, I think people have been very welcoming...for the most part!

On my list as well as Esperanza Spalding, Deborah Weisz. Keep this list coming...especially the diamonds in the rough that may right now being overlooked. It's really about all of them and all of you, and what you will bring to the table. Hello Carole and welcome to the board. Samantha Boshnack is a very good female jazz player. She's in Reptet and plays with our own Johnny E. Reptet is crazy!!! Like I said, I have a thing for horns! Love it. Samantha is on my list !

Not even on my list! You got it baby!

I'd love to know what she's up to. Kind of slipped off my radar the past year or so. A little something from July 29, 2009...Matana Roberts Actually, this link is quicker:Matana Roberts

Hi Allen: I am not coming to this from the perspective of a critic. That's my deal...its more about information, opinion, debate, interviews, etc. That's what I was trying to explain in the beginning. I am trying to get to a lot of those artists "under the radar." That's why I wanted to do the page.

I'd love to know what she's up to. Kind of slipped off my radar the past year or so. A little something from July 29, 2009...Matana Roberts

On my list as well as Esperanza Spalding, Deborah Weisz. Keep this list coming...especially the diamonds in the rough that may right now being overlooked. It's really about all of them and all of you, and what you will bring to the table.

Yeah, I haven't read this thread, so I don't know whose quote that is, but it is so terrbily wrong in so many ways that I hope if it's somebody here in this thread that they don't take it personal when I say that infact it's pretty much bullshit. I'll gladly and freindly go into detail later today when I'm not at work, but it's nothing personal to call bullshit where it exists, and that quote right there is bullshit. For one thing, "electronic and commercial sounds such as the electric guitar and the soprano sax" is a big "WTF are you talking about?" point... but htere are others. Not taken personally...just a composite of what a number of people I have been interviewing have said. But, that's why I reached out on the board....to get a broader perspective and not the myopic view...bullshit, perhaps....but that's what the discussion is about. That's really WTF I am trying to open up. Please go into detail later. I would love it!

Thanks! Are you a realtor by any chance? Of course I am!

Really appreciate the feedback...Thanks! TJC3

Well, I can offer smiles (now anyway) . No kittens, though....my cat Sebastian is acting like Dan this morning.

Your support and comments are absolutely welcome. I sincerely hope that women on the board don't get the reaction I got. You so read me. You and Indestructible got my broader point, and I hope that I can sincerely ask for your opinion on a variety of subjects. I did feel a little like I had stepped in to what you called a "Boys only" atmosphere, but then it dawned on me that so many female friends/musicians experience that on a much greater scale than I have, because my time has been spent predominantly over the past 10 years being dividing between incredibly tough directors and casting directors in the world of commercials, television and film. I had to pay the bills. Believe me, the interviews that I have set up and ones yet to be attained are in pursuit of bringing more visibility to so many great artists. I know I have only scratched the surface, and I hope I can count on you and other board members to help me. My introduction to the board? I think that's what they call "baptism by fire." So many have been so gracious that I still believe I made the right choice in joining. I'm looking forward to any ideas you might have....Thanks so much...

Indestructible...you read me. There was a broader point that I was trying to make, and I have heard a thousand times from female friends/jazz musicians that they feel "shut out" sometimes in what they feel is a "boys only" atmosphere. I hope to get into that in later articles. I was expecting debate on the board, I wasn't expecting hostility. If I couldn't take criticism, I would not have been a working actress and vocalist for as long as I have. In the acting world especially, rejection is your middle name! Anyway, thanks for seeing the broader picture. I hope I can count on you and everyone else for input and advice. I have a host of interviews already planned...(you should see my inbox from managers and promoters), but there are nuggets of gold that I know I might miss. Thanks. Carole (TJC3)

Thanks so much Shane! I appreciate your support, and I hope I can count on you for ideas and help in the future! Carole

You're looking for help? Well you certainly do need it. You live in New York and give mad props to Boney James and Dave Koz as great saxophonists. And here's a tip: If you want help, ask for help. If you offer your writings, be prepared to take some criticism. Took it, accepted it. You seem to be pretty thin skinned yourself. I have no problem with criticisms. What I have an issue with is rudeness and arrogance. I might need help, you sir need manors. At least I asked. I had a great interview with her and she loved the article. She's a pro, and she has a lot of class!

Thanks. I wrote a little about Jazzmobile in one of my first articles. I am a big fan. My purpose in coming here was to get info like you provided in case I miss some events.

I have and I will continue. I have many, many more interviews and articles planned. I love All About Jazz. They have covered my work as a vocalist. Thanks.

Boney Fucking James is your idea of jazz saxophone? And Dave Koz? It is really, really sad that you are the New York Jazz Examiner. Here's a suggestion: go to Smoke and hear Eric Alexander. Go to Smalls and listen to Ian Hendrickson-Smith. And stop confusing "smooth jazz" with the real thing. Who said that my list ended there, or that my articles would end there. That wasn't the point. It's nice to meet you too. I am making the rounds, I haven't said I won't interview Eric, and I wouldn't make such broad and sweeping conclusions. I have written 12 articles in 3 weeks and just getting started. Reaching out to people who love jazz means ALL people and ALL jazz musicians. I know that some consider my list light weights, but you aren't going to get some people to support jazz by being rude and opinionated. That's always been an issue. That's not what I am about, and its not what my column is about. Like I said, it's nice to meet you too. Whoever pissed you off today has nothing to do with me and what I am about. Thanks for the input. You pissed me off today. No one else. You live in New York, write about jazz in NEW YORK and choose to highlight two guys who don't play jazz and don't need any help selling CDs or getting yuppies to attend their shows. I guess there is some hope though - you didn't tell us that Kenny G turns you into putty. I am covering those artists more than anything. If you had read all of my articles, ( I just started, I only have 12) you would have known that! I pissed you off? How can you be so pissed at someone you don't know anything about and haven't really read. You don't even know the purpose of my column. But that's not my problem, and that's not why I came here. I asked for input. My main focus is on those who need help selling their CDs and getting more of an audience. I don't mind an honest debate and discussion. You jumped off without even reading the post regarding why I came here in the first place. If you think you can "school" someone, you don't hit them with a baseball bat in order to prove your point! You based your critique on two names of artists you obviously hate. You took that out on me. That was not only rude it was unjustified.

I'm making the rounds and appreciate the tip. Like everything else, it's all about your approach. Thanks.

Boney Fucking James is your idea of jazz saxophone? And Dave Koz? It is really, really sad that you are the New York Jazz Examiner. Here's a suggestion: go to Smoke and hear Eric Alexander. Go to Smalls and listen to Ian Hendrickson-Smith. And stop confusing "smooth jazz" with the real thing. Who said that my list ended there, or that my articles would end there. That wasn't the point. It's nice to meet you too. I am making the rounds, I haven't said I won't interview Eric, and I wouldn't make such broad and sweeping conclusions. I have written 12 articles in 3 weeks and just getting started. Reaching out to people who love jazz means ALL people and ALL jazz musicians. I know that some consider my list light weights, but you aren't going to get some people to support jazz by being rude and opinionated. That's always been an issue. That's not what I am about, and its not what my column is about. Like I said, it's nice to meet you too. Whoever pissed you off today has nothing to do with me and what I am about. Thanks for the input.

As a woman, I can relate on a whole other level. I love that quote!

Hello everybody! I am new to the board and I have been writing a column for Examiner.com online as their New York Jazz Music Examiner. I am reaching out to all of my fellow lovers of jazz for interesting jazz people and events that I can inform my New York readers about. I just did an article of sax players, and recently did an article on my interview with Freda Payne and her tribute to Ella Fitzgerald. It's great writing these articles and doing my small part to help keep jazz alive and also introducing jazz to new listeners and young people. So, if you know something you think I should know, please let me know! In the mean time, here's a link to my last article. You can check out the rest of my articles by going to my home page. The sensuous genius of "sax"