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Gheorghe

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Posts posted by Gheorghe

  1. As a jazz only player I have only side informations about pure Soul, but what I heard last Friday you Soul Fans should hear and purchase. 

    My wife and me spent an evening off at Porgy and Bess to listen to my old friend Paul Zauner with his wonderful soul band "Sweet Emma Band" featuring the very strong singer Chanda Rule, former Harlem Gospel singer now having a solo carreer living in Viena . 

    Have a look at some tracks and buy them their latest album on Paul Zauner´s label "PAO Records". 

    And they have a long haird organ player from Cehoslovacia, who is really a gas. the whole band is tops and the singer too.

    It´s mostly Soul, some Blues, and a shot of jazz (the last tune unsually is an Ellington tune). 

  2. I don´t know what karmatateous delicacies means😄, but Billy Eckstine is my favourite singer, period. Only, as a jazz musician I prefer his work with the Band, when Tadd arranged all that wonderful stuff. I hear Billys wonderful voice in my head, but it is inseparabil connected with the fine band behind him, all those Dameron voicings and hip stuff you still can learn so much from it, let´s say if I have to comp a singer, or how I comp for a ballad.....

     

    One of my favourite songs right now is Eckstine´s version of "Love is the Thing" 

  3. Strange I have not seen that, at what venue was this ? 

    I only heard the Cedar Walton TRIO at "REIGEN" in the 2000´s . But I think it was after Higgin´s death. So I don´t know who was on bass and drums. 

    REIGEN was a good joint, I often went there with Serena, we could walk from our place to that venue. They had great musicians, she saw Archie Shepp , Johnny Griffin and so on with me. I also did perform there in the early 90´s. 

    But I don´t know what has happend to the plays. When I asked Mario (Gonzi), he said better no, it ain´t what it used to be.....

  4. 8 hours ago, Stevie Mclean said:

    I can really relate to not remembering song names. However I might go as far as to say I am more inclined to recognize changes rather than a melody. I enjoy figuring out contrafacts, I have even started a spreadsheet categorizing contrafacts by their original version (with the hopes that it will help me one day remember song titles).

    Sometimes if I quote from another song in the improvised chorusses it just comes and maybe I don´t even know what song it is, but mostly if my fellow musicians quote from somewhere I know from what song it is. 

    Contrafacts, that is the most easy thing. You hear the changes and know where it comes from. Yesterday I heard an Eddie Lockjaw Davis thing in the radio and it was one of his own compositions, and though it was a straight ahead stuff, it had the chords from "Girl Of Ipanema"......

  5. 16 hours ago, mikeweil said:

    My problem is, I can't afford 6.000 for a pait of hearing aids, and, even though they are tiny with sophisticated electronics, I think the price is somewhat high, if you consider what excellent hifi you can get for that money. I tried them and thought they didn't sound that much better than the health care covered basic models that still cost 1.500. Only inconvenience is the need for frequent battery change and oustide filters (my production of ear wax is quite high and triggered by the othoplasts in the ears.

    Maybe I could afford it but I don´t want. Better go for two weeks to carribean islands to warm up my bones and have that feeling, just to escape the cold weather, and come back and be strong and relaxed for the next string of gigs. 

    About wax removal. Good thing you told me about this. I think I am overdue. But in the years before , speaking about health asigurare I went to a medic of state who doesn´t cost since ensurance pays, I was not so pleased. He handles it quite rough and he also seems to think that he is not only ORL medic, but specialist ortoped too, since he always as soon as you come in, he tolds you that all you suffer from is from the cervical and prepares an injection. 

    I didn´t feel too good after that injection. 

    Now I better go to medic privat and have to pay and sometimes get some money back from ensurance. 

  6. On 2/6/2024 at 5:23 PM, Kevin Bresnahan said:

    IMG-6238.jpg

    IMG-3358.jpg

     

    Let's see if these images stick...

    Really nice, that´s you and your dog ? 

    On 2/3/2024 at 5:17 PM, JSngry said:

    Roxane_Berard_1960.JPG

    Roxane Berard, who was once married to Willie Dennis. 

    oh, to Williue Dennis.....great ! 

    Nice gal, somehow she looks similar to Audrey Hepburn, doesn´t she ? 

  7. On 2/7/2024 at 9:40 PM, adh1907 said:

    Never seen that sleeve, much better than the Storyville issue.  Great album, I love Shepp shouting the time change on Trio during his solo. (Five Five!). Moses dominates on drums. Great drummer who doesn’t have a big discography to his name.

    Great to read that someone gives some love to Moses. Indeed a great drummer who had an unhappy live since I had heard that he had been stabbed which affected his kidneys and he was on dialysis and died very young of kidney failure. 

    I love all stuff he played, I think the first stuff I heard was some Dolphy with Woody Shaw from the early 60´s, and some Blue Note recordings, maybe with Andrew Hill. And he was Bud Powell´s last drummer ! His drumming on the sets that survived recorded from Birdland is a highlight, he together with John Ore where a perfect rhtythm section. And I like drummers who really play and stretch out, not just doin´ brushes in a trio context. Play it LOUD !!!! YEAH !

  8. 6 hours ago, jazzbo said:

    My favorite sounding version of this “Monk” title, the Japanese RVG edition from last year.
    [IMG]
    Followed by
    Jonathan Blake “Trion” disc 2

     

     

    About the Monk Prestige Album you posted

    I don´t know different versions, as in so many cases, my copy is one of those 2 LP albums from Prestige, that you could purchase easily in the 70´s . I had one with Rollins, one with Monk, one with Davis or so.....

    Just let me say, that the record you posted was a MILESTONE in my musical developement as a pianist. This version of "Sweet and Lovely" is just INCREDIBLE, listen to Monk´s cadenza , or Bemsha Swing, Trinkle Tinkle and so on, I just love to play those songs. Even one of my own compositions that wil be out on record in the near future, though it´s a waltz, has some little glimpses of Monk´s style. 

    I´m sure the individual CDs are as great as my old two-fer album, maybe they even have more tracks.... 

  9. On 2/6/2024 at 10:24 PM, gvopedz said:

    Since this topic started with Mingus and is now alluding to political economy, here is a video that shows Mingus at the Jimmy Carter White House:

     

    Thank you for showing this. So sad, I remember how I cried when I saw that. 

    Due to lack of infos over here in Europe we still thought that Mingus is active and playing. I think "Cumbia" came out right that spring and I recognized to great suite I had witnessed live less than one year before. 

    So the death of Mingus literarly shocked me...... 

  10. 17 hours ago, jazzbo said:
    Miles Davis "Volume 1" Blue Note Japan 85th Anniversary UHQCD
    Includes 3 alternates.
     
    Primary

    I like those two BN albums Miles made, though they may not be his most representative albums.

    I think I remember the first volume has mostly Dizzy associated bop themes, and the second has Horace Silver on it.

    My wife did like very much the track "Weirdo" , that kind of super cool blues. She said it sounds like a soundtrack for one of those old, really old policefilms series in black and white..... 

    16 hours ago, Chuck Nessa said:

    71zB8dXzDnL._SX522_.jpg

    and that has led me to play

    51azeCisbRL.jpg

    I think I have the first one and I had bought it when I was still almost a kid. It was a good model for me to learn to play solo piano, I think I played some of those if I had to play solo, maybe a last encore, something like that Eddie Heywood arrangement of "Begin the Beguine". Stuff like that goes very well for a last tune in the small hours, just for some friends who still are in the venue....

  11. I think I have some but have not listened to them for many years. It is mostly Charlie Parker. I think on from Bohemia is nice, where they play mostly the standards that otherwise were recorded with strings, just as a quintet with Kenny Dorham. 

    Others are not so fine, I don´t really listen to those, where the other instruments are cut out . 

    Others I think I already had from the British Spotlite label. 

    For live recordings of Bird I prefer the CBS from Birdland, the Carnegie Set with Diz, and the Massey Hall. 

  12. 1 hour ago, jazzbo said:

    Yes, Freddie Waits. He and Mickey Roker should get more "love."

    Right now. . . on to. . .Something more. . . avant-garde.

    Abthony Williams “Spring” Blue Note Japan 85th Anniversary UHQCD

    Sounds great. I briefly compared it to the Japanese Blue Note 24 Bit by RVG LP facsimile cd, and that also sounds great, no clear winner for me in my system. Both are keepers.

     

    5d17beec71886845cf01e0571cd02afbae53ea4f

    Yes, Freddie Waits and Mickey Roker should get more love. 

    But at least, Mickey Roker got much exposure as Dizzy´s drummer for many many years. I saw and heard him with Diz from 1978 on, and again at a very special Dizzy Allstars, Diz with Phil Woods, Steve Turré , Cedar Walton, Rufus Reid and Mickey Roker, great thing !

     

    And of course you got me with Tony Williams´ "Spring" . I love it and I love Tony Williams. He is among my very very favourite drummers, 

  13. I would have been to small to attend that concert, I just had entered my first year of primary school, but one of my earlier mentors, the late great Fritz Novotny from Reform Art Unit ("RAU") was there and told me, that especially the first part of the Concert (the Max Roach Quintet) was a dissaster due to unprofessional behaviour by Freddie Hubbard and James Spaulding . 

    Anyway you hear Freddie cursing the audience after some high notes from his solo cadenza on trumpet. 

    The Sonny Rollins part was wonderful, especially such an all star occasion with Roach and Merritt. I only had the LP which he spinned for me and I taped it on cassette. 

    Now, reading the Eytan Levy Rollins bio, there are even some pages about that event and it´s described, what a desaster it was with Hubbard stone drunk and later arrested. I don´t understand why he was arrested only for saying some mutha.....words on stage, he hadn´t hurt nobody physically . And as much as I heard from the record, his playing still was strong. It was not like those "Bird at the Loverman Session" kind of music......

    About speed on records: Anyway, having perfect pitch, such things are annyoing for me, but when I was still a kid and didn´t know about recorded at to high speed if I heard somethin in an "unusual key" I took it mot a mot and started to play it myself in that key. Because I didn´t read music and played things how I heard ´ em , and if the blues meant in Bb appears as B natural on the record, I would have thought okay, that´s what it is meant to be, so I must play it also in that unusual key. At least, that less of knowledge lead me to be more open for playing the same tune in different keys.... 

  14. 20 hours ago, jazzbo said:

    McCoy Tyner “Time for Tyner” Blue Note Japan 85th Anniversary UHQCD

     

    This together with "The Real McCoy" are my favourite albums of him before the Milestone Years. I have those two and some of the Milestone albums. 
    I think the coby of Time for Tyner that I have is also a japanese reissue. I´m not interested in anything but the music itself, but I think those mini-LP-Cover reissues where quite typical for Japan reissues then. They are ok for me but if I would have liked to read the liner notes it is impossible, it´s too small, but anyway, the music speaks for itself. Great drumming on this one. Isn´t that Freddie Waits ? Lesser known than other drummers from that era, but he has it all and as Elvin Jones on "The Real McCoy" that´s what matters to me. And since I am not too wild about classic piano trios, those two each have a congenial partner , here Bobby Hutcherson, there Joe Henderson.....

  15. 2 hours ago, HutchFan said:

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    I saw him with Dave Liebman, maybe in the late 70´s, it was also Adam Nussbaum on drums, Terumaso Hino on a Don Cherry like pocket trumpet, and young John Scofield. It was Scofield who helped me to get through to Liebman to get may copy of "Drum Ode" signed by the master.....

    Great band then, but there was two drunken japanese girls in the front row who wanted to flirt with Terumaso, he was not amused....., but fantastic music...

    10 hours ago, felser said:

    image.thumb.jpeg.7ec3cebb906d19c198bdac058ba32a18.jpeg

    Though I am not a real fan of Oscar Peterson, I can find him okay when he is not too overwhelming. I have...also from Montreux one of Jaws with OP which is nice, so this one might be nice too. Eldridge is my favourite pre-Diz trumpet player and he was so much ahead his time. Recently I heard some astonishing Roy in a pure bop setting (Giants of Jazz minus Diz who missed it, where Roy and Clark Terry do the trumpet part, and Roy is so great ! Of course Terry tooo ! 

  16. 8 hours ago, david weiss said:

    Well, they say it is a release in conjunction with the Mingus Estate so they do have a clearance. 

    I think in these cases, it is the money grab first (the overpriced vinyl release pays for and justifies the release) and then in future, especially if the vinyl sells out, there will be a digital release.....

    I must admit that ......as is the case with almost all historic jazz albums....I´m more a kind of "selecting fan", and never had the urge to buy all what is out from a certain musician.

    Mingus had an enormous influence on me becoming a musician. When I was in my early teens, the 3-LP set of Mingus with Dolphy and Byard etc. in Paris 1964 was my second to first listening experience of jazz and it has remained one of the most important records to me. And then the times I saw the Mingus Band live from 1975-77 or 78 or what it was, with Walrath, Ricky Ford and so. 

    I have heard one from the earlier 60´s on which Mingus often leaves the bass and plays piano and don´t like it as much as the records where he leads the band from the bass. 

    That´s what Mingus always has been for me: One of the greatest composers of the 20th Century, and one of the most exiting artists on his instrument, the bass, if not the most exiting. 

    There is so much energy in re-issuing or redischovering of very old stuff, but very little effort to issue more concert recordings from the bands with Adams/Pullen and Ford/Neloms.. The studio albums of Cumbia and Three Four Shades of Blues are too overproduced, the quintet versions I witnessed live sounded much better.....more energy, more emotion, more of Richmond....

  17. Sometimes late at night I like sounds like this one. 

    Hipsippy Blues, Close Your Eyes, and all that stuff. 

    The Blakey Sound for me is the sound when I just want to get some of that pure energy, when I am to tired or to lazy to figure things out.....

    And Blakey was one of my first musical heroes......

    At_the_Jazz_Corner_of_the_World.jpg

  18. Very interesting to read ! 

    I saw the Arkestra with Marshall Allen just maybe 3 years ago, with Knoel Scott and Tara Middleton, just wonderful. 

    My Marshall Allen live 1000 years ! 

    Of course I also had seen the original Sun Ra Arkestra. I was a fan of Sun Ra and his band from outer space almost as long as I have fallen in love with that music called jazz. One of my very first LPs was "Nothing Is". 

  19. 10 hours ago, soulpope said:

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    Recorded at Victor Studios, Tokyo on September 25th, 1976 .... subtle Piano Trio sessions which grows rather slowly but sustainably .... btw excellent sound quality ....

    Very interesting how you describe the music. I always welcome writers who not only post an album cover but make their own statements about it.

    My impression about Duke Jordan is the same as yours. You have to have patience and calmness to apreciate his work. He does not have the flow and swing that Bud Powell had, and was badly dissed by Miles Davis, but his intros to Bird-Standards got legendary. He doesn´t have as much emotion in his playing like Bud had, and his disciples Walter Bishop or Kenny Drew and Horace Silve had, but if you listen closely, it´s a very fine miniature art. 

    I don´t have trio albums by him, but have solo´s of him on a 1976 Cecil Payne album and on a late 80´s "Birdology" with McLean, Griffin, Cecil Payne or so. On that "Birdology" is also a trio number "Don´t Blame Me" I think......

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