So this may sound like a naive question, but which was more common (once magnegtic tape arrived): issuing complete unedited takes, or issuing edited takes with all the fluffs and errors removed and replaced?
FWIW, if it's the latter, I couldn't ever tell; the edits all seem very smooth to me. F'rinstance, in the mammoth Gerry Mulligan/Ben Webster reissue, there's the released "master" take of "Go Home," which is not a complete unedited take: the ending is spliced in to replace a rejected ending. To these ears, the edit is flawless and makes the whole piece sound like one continuous take. So, in other words, just how common was this practice?