Seems that Max Gordon didn't like synthesizers at all :-)
An excerpt from Stopping Time: Paul Bley and the Transformation of Jazz.
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I remember fondly a concert at the Village Vanguard. I had the synthesizer on the stage, a trio waiting to perform, an audience waiting for us to begin, and I was on the floor looking up under the synthesizer with a pocket flashlight and a screwdriver and the house mike, asking the audience to please bear with us. Max Gordon told me three things: get out, stay out and don't come back. I haven't played the Vanguard since.
After doing the first live performance ever done with audio synthesizer and voice treatment at Philharmonic Hall in Friday on December 26th.1969 at 8:30PM, Annette and I received an offer to take the show to Europe. I should have learned my lesson while I was lying on the stage of the Vanguard, but I was so excited about this instrument, that I accepted the offer and went on the road.
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