RiRiIII

Label: Arista – AL 1012, Freedom – AL 1012 Format: Vinyl, LP, Album, Stereo, Terre Haute Pressing Country: US Released: 1975 Side A recorded on January 29,1975 at C.I. Studios, New York City. Side B recorded in February 1972 at Archway Studios, St. Louis, Missouri. 'The Hard Blues' is a previously unreleased track from the recording sessions for Hemphill's "Dogon A.D." album. https://www.discogs.com/release/1775960-Julius-Hemphill-Coon-Bidness

The liner notes as offered by the label https://nwr-site-liner-notes.s3.amazonaws.com/80850.pdf

A photo from the event. Chris Cacavas (Green on Red original member) on the keyboards.

The first set had recent songs. At the 2nd set they played the whole Medicine Show album.

By the way, two days ago the legendary 80s group "Dream Syndicate" with Steve Wynn played in Athens - they closed their set with their John Coltrane Stereo Blues with quotes of the 'A Love Supreme'. Very nice.

Sure. Send me a PM.

It is mentioned in this film that Blue Note sent her in 2001 a check of $40,000.-- against royalties. We can see also Mingus praising her wishing to work with her.

A marvelous 2025 production on Jutta Hipp. Very nice. German : Being Hipp - First Lady of European Jazz - Die ganze Doku | ARTE French: Being Hipp : la première dame du jazz européen - Regarder le documentaire complet | ARTE

I just received it and I am watching it right now. Really nice. Thank you for notifying us about this Criterion release.

soon on cd too: https://thelostrecordings.store/en/collections/tous-nos-produits/products/john-coltrane-live-in-finland-1961-1962-double-uhqcd

I have the CD that offers 2 tracks where Jim Hall is added, Mulligan leaves the baritone sax to Desmond and plays the piano.

After reading your message, I played both the 1991/Schaap CD and the 1997 Verve later issue. The Schaap CD is so compressed lacking dynamics. The 1997 (original mix) one plays far better in my system.

Looks great. But not available at my location

Thank you, such amazing treasures, indeed. For some reason I listened yesterday to the Gunther Schuller interview around Louis Armstrong. Exceptional. And having Schuller saying that after the end of his evening job at the MET orchestra as horninst in the 40s, he went ahead to the 52 street etc. to see the Bird, Gillespie, Monk et al. ignoring *then* Satchmo who was so hostile to the new music.

This morning before going to work, I played the last SACD from the recent japanese set. I loved it in terms of performance ans sound quality. Hopefully I will compare soon with the 1995 US set and then let you know of any material differences.