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Stereojack
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Posts posted by Stereojack
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I forget, who would usually put the bullet hole in the jacket, the record company, the distributor, or the retail store?
It would have been the record company who drilled it, before selling it to a cut-out (deletions) distributor.
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I saw Eddie a few times in the 1980's. He was the real deal - raw and full of fire. R.I.P.
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so this legend of hoagy carmichael lp i just got appears to be the same as the pacific jazz album. the same session. it is on Kimberly, a division of PRI (dave pells?) label. did richard bock really allow this?
I recall these from the mid-60's. They were all from Pacific Jazz. Whether Bock himself issued them or licensed them out is unclear. They were budget-priced.
Brookmeyer & Guitars
Bud Shank & 3 Horns (title?)
Annie Ross & Gerry Mulligan
James Dean Story
Hoagy Carmicheal
others?
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Margie Anderson is a Boston-based singer who still lives in Boston, although she is no longer active as a singer. She has been a close friend of mine for many years. The CD is her own reissue of a session recorded in the late 1950's. The material was issued on a variety of budget labels, although the pictured LP is the original release. I gave up years ago trying to sort out who's backing her on this session, although she does remember that the band was led by pianist Bob Freedman.
Is there any chance that that/this might be Charlie Mariano on alto?
Doubtful. Charlie was in Los Angeles playing with Shelly Manne at the time. It does sound like him, though! Oh, and by the way, the tracks on the Maxine Brown album are not by Margie. She once told me that she made an LP of 1920's songs as well as the "Blues" album, but I've never run across a copy. I do have two of the Columbia 78's.
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Margie Anderson is a Boston-based singer who still lives in Boston, although she is no longer active as a singer. She has been a close friend of mine for many years. The CD is her own reissue of a session recorded in the late 1950's. The material was issued on a variety of budget labels, although the pictured LP is the original release. I gave up years ago trying to sort out who's backing her on this session, although she does remember that the band was led by pianist Bob Freedman. Margie also recorded for Columbia in the early 1950's. There is some information about her (and from her) in the book about Gigi Gryce by Noal Cohen and Mike Fitzgerald. She had known Gigi in his Boston days (early 1950's) and I put Cohen in touch with her.
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A lot of people have assumed that we are shutting down due to poor business, downloading, or what-have-you, but I can say with some pride that this is not the case. When our current landlord bought the property ten years ago, he informed me that he intended to move his pizza shop, the Harvard House of Pizza, away from his current location into our space, but at the time he was not ready to do so. He also assured me that when it does happen, he would give me plenty of notice. Although he owned this property, he was content to stay where he was, even though he was renting, because the corner location was ideal. After ten years, his landlord (who was also once my landlord, so I know his MO all too well) has made staying pretty near impossiblle, so now he has decided to make the move. This actually comes at an OK time for me, and I'm looking forward to semi-retirement. I intend to keep a presence on line, selling on Ebay, but will no longer have a retail store.
At present, our official closing date will be end of April, but the landlord is going through a complicated mess of red tape getting the proper permits, so we may possibly stick around a little longer.
Thanks to everybody for your thoughts and words, but of course, I'll still be around here!
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But if you listen to the music even while NOT watching the film but AFTER having it watched (no matter how long ago) the music - even on its own - works perfectly well and, considering what musical scores of movies were able to achieve back then at all, at least from a jazz angle, really is outstanding. The fact that the music does manage to bring up certain images (no matter how imprecise) makes all the diffrence.
I agree. After having seen the film, I do enjoy the soundtrack music on its own. The mournful piece that accompanies the final scene is Miles at his best! And, for what it's worth, I think the film is a masterpiece.
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Many thanks for the info. What is the story behind the Chazzer LPs? They seem to be a miscellaneous collection of live sessions. The album notes are worthless. Are the LPs rare? Stonewall15.
Chazzer is but one of many labels issued by the late Boris Rose, mostly in the 1970's and 80's. They often contain rare broadcast material, but the packaging is ludicrous, and the discoraphical details are lacking. The albums are not rare, and as much as people may disparage Boris and his many releases, many of us who are serious fans of the music have got plenty of his records in our collections!
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I just want to say that I never "got" this session until I saw the movie some ten years after first hearing the soundtrack album. The music works brilliantly in the film, especially in the final scene.
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The old Pablo boxes were using the mono masters.
My copy is rechanneled stereo.
The Pablo LP's were rechanneled. The CD boxes are also rechanneled.
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There were only five releases on Climax, all 12 inch 78's, all by George Lewis. Numbered 101-105.
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When the original partners Bob Sunenblick and Mark Feldman split, several of the titles ended up with Feldman. He has issued some of them on his Reservoir label:
Uptown 27.09 JR Monterose = Reservoir 109
27.16 Pepper Adams = Reservoir 113
27.17 Don Sickler = Reservoir 111
27.21 Buddy Tate = Reservoir 110
27.22 Joe Puma = Reservoir 102
27.24 Peter Leitch = Reservoir 118
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Probably purchased because the cover art is by Andy Warhol. Buyer apparently doesn't care about the vinyl. I've sold several such items (although never for THIS kind of money) to museums.
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Murray's attitudes go beyond simple racism to obvious ignorance - he clearly doesn't even know how to listen to music, and he seems to know very little about the music's origins - he only knows what he thinks he knows..
Those who have made these comments in the past, black and white, cannot back up their claims with any ability to tell a musician's race in a blindfold test.
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One of the funniest comedians I've ever seen. Never fails to crack me up. RIP
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Great record - stellar cast!
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Jack, I don't know your reasons for closing. However, if there is an economic aspect to it, I wish I could help.
The reasons are not economic. We lost our lease, and at my age, I don't have the energy or stamina to reopen elsewhere.
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The Louvin Brothers box is among the greatest projects that Bear Family has given us. I had managed to acquire most of the LP's by the time it came out, but I sprang for it anyway. If there is a single box to which I return more often than any other, it's this one, and that includes most of the Mosaics as well. Many "complete" boxes invariably contain a certain amount of filler or weaker material, but not this one. The brothers were consistently good!
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Mr.Stereo Jack, would you, in time, announce the details of the closure? Is there going to be a final grand sale?
Congratulations on your retirement, and Thank You!
Will tell the whole story in time. We still have two months, so any sale announcements would be premature.
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Someone over on the Steve Hoffman forums has started a thread saying that Stereo Jack's in Cambridge, MA is closing in two months! Jack - is this true? Are you hanging it up?
I have to make plans to visit a few more times before that final curtain goes down.
Man, am I feeling old right now.
Kevin
I guess the cat is out of the bag. Yes, we will be gone at the end of March.
Until then, it's business as usual.
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for the RVG. Although I haven't been a big fan of the RVG series, I think this one is a definite improvement over the previous release.
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Country music royalty. The Louvin Brothers are among the very greatest. Sadly, Charlie's voice had declined in recent years, but at least he lived to be an old man, unlike his brother Ira.
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Couldn't find any threads on JJ, other than the ones above. He must've been very popular in the late 1950s, judging by the number of the LPs he put out.
As a record seller, I can assure you that Jonah moved a tremedous number of records in the late 50's and early 60's. This formula also inspired a number of other trumpeters (Roy Eldridge, Shorty Baker, Bobby Hackett, et al) to make similar records. Jonah always plays well, but rarely veers from the formula. The one exception is the album "Jonah Jones & Glen Gray" (Capitol), a hard swinging big band album with great charts by Benny Carter.
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I bought the CD when it first came out in the 80's. This was an unreleased session, and it was tantalizing. Overall I agree with riverrat's comments. There is some fine music to be heard here. The opportunity to hear from the scarcely recorded Hugh Brodie is a plus, but Massey's trumpet playing is, to be delicate, limited. It's not difficult to see why the session went unreleased originally. If you are intrigued by Massey's music (as I was), there's something here, but the date is flawed by Massey's limitations as a trumpeter.
Love those old price stickers.
in The Vinyl Frontier
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Yes, the drilling is to prevent returns.
The CD is on Koch? I helped them with a couple of titles, and they thanked everybody who helped them on the whole series!