Sorry to be a wet blanket but I was bummed by the piece. Seems more like an article for the KC chamber of commerce newsletter.
I've worked with Jay and he's much more interesting as is the whole KC history/current scene.
Not worthy of my aspirations for the NY Times.
So, here comes negative, smartass nessa. Mr Tom Harrell don't reach the top of Phil Woods loafers. Mr Woods is a minor figure spending the last 40+ years diminishing his strengths.
Joe was really into Rollins and resisted all movements forward. Thorne and Hal forced him into Ornette. All this info is from Hal and one short conversation with Russell Thorne. I first heard the band at the DownBeat fest in '65. By then Clyde Flowers (another unsung hero) was the bassist.
Joe is very important to a bunch of white guys in Chicago, but this is very easy to over-estimate. He was also a nice guy, good techinician, etc.
DJ Linda Prince created a "reunion" in the late '70s at Rick's Cafe Americain and the resulting interview on the local NPR station was a mess.
Sometimes tenor players are "the bane".
I have the original lp and it indeed has 7 tracks. Mention of A Taste of Honey leads me to believe you are confusing this date with one by Lloyd Mayers and Oliver Nelson.
Thank you from the bottom of my heart. This reaction is why I have done what I have done.
Corny as it sounds, I feel giving "new kinds of beauty" to the world is the highest calling a human can aspire to.
Forgive the CRAP, but this means something to me.
My guess is it's a ploy to get publishing money.
Statutory rates for recorded tunes is currently 8.5 cents for any song up to 5 minutes. For longer performances the rate is 1.65 cents per minute. You can calculate a 25 tune historical reissue as $2.13 per disc. This is on top of any artist royalty.
Jim is correct - that's Atala Mitchell on the cover. She "was" Snurdy McGurdy and burned off her youthful energy by dancing. She had a favorite pair of gym shoes she destroyed with her dancing.
Roscoe and family lived on a farm in Wisconsin. Ann and I took a trip to spend a couple of days with them and Ann brought her camera to take some pictures for the record cover. We intended using the shoes but none of the shots worked out for a cover so we used the pic of Atala in action.
Two related points - this was the 2nd time this young lady was "immortalized" on record (A1TAL2LA on Roscoe's Nonaah is for her) and she went on to earn a masters in dance at the University of Michigan.
My four favorite Mosaics arrive early in the series. Ammons/Lewis, Monk BNs, Port of Harlem and Nichols. All these sets included historically important new material. The label justified being with these releases.
The "original" BN never issued fake stereo lps. In the late '60s the new owner (Liberty) issued a bunch of them as mono was eliminated from the food chain. One funny aspect of this is the art department made the changes to the covers and the tape department found a bunch of real stereo tapes for a number of sessions. As a result some Liberty BNs with the fake stereo logo are real stereo.
Please don't ask which ones - they are purged from my collection and I don't remember.
Shit man, you ain't tried nothin' 'til you import your own beans from Columbia. That's what is says on the customs papers - "coffee". Yeah, that's what it is. I stay awake for hours.