Chuck Nessa

Not sure of the contents but there is a Unique single cd of the Stuttgart concert. In the US it is listed on the City Hall website. The Enja cds are both expanded versions of the lps.

We get a bunch of RVG remasters instead.

I've been told by "experts" if you leave a gallon of tap water "open to the elements" for an hour the chlorine evaporates. No telling what the chlorine does to the enviroment, but tap water should be ok. If you really want to filter your water, you need a "reverse osmosis" system.

Source is a paper in Baltimore - too close to DC to be reliable! Just read Weezie's posts.

At one time I had all the lps. From memory, Carnival Sketches is the least desirable. Look for the vinyl and buy them in order; Breakthrough, Debut in Blues, Carnival Sketches. I heard him a few times in Chicago. He played with an organ trio.

I think the first jazz lp I bought was Louis's Hot 5 on Columbia. First lp was Fats Domino.

Though maddeningly programmed, the Vanguard Mel Powell discs contain prime Braff.

Grout?

Geez, I'd come to think of this thread as a private Deep/Patricia place, now I see something from SGUD! If Danny and Patty get back to panting I can ignore another thread and "have a life".

I didn't know about Reptet, but Non Grata is a wonderful recording. Keep up the good work and keep us informed.

Chuck! I had no idea! I do wear those dark glasses and black sox!

Email me with your desires. B)

My only baseball book is "That Old Ball Game", a fascinating book of photos from around 1850 'til 1930. It was published in 1975 and is probably hard to find. The text is by our own Larry Kart.

After Hours is out of print - BUT Walmart lists it on their site. I frequently check them for out of print stuff. Somethin' Special is oop in the US and I missed it.

I suggest the Storyville disc titled Masters of Jazz Vol. 11. Two trio dates from 1968 and 1980. Though it seems to be out of print, keep your eyes out for another Storyville called Revisits the Goodman Years. You can order direct from Storyville.

I don't think Norman Granz would ever bow to political consideration.

When I was working on the Chicago Jazz Festival we used him as MC a couple of times, and he was a very warm guy to work with. He has a weekly show on WBEZ in Chicago. Check outTHIS.

Thanks for the message. BUT GWB does enough stuff to make you respond. Your local politics does not compare to the stuff here.

If I understand the news reports correctly, Pete married someone named Britney Spears over the week end, right? Holy shit, we've killed 7000+ innocent "Arabs" to avenge 9-11 and THIS is the news we get! Not really sorry I "sullied" a non-political forum with this rant. Shame on America.

I first encountered him as a trombonist in Dizzy's mid '50s big band. I bought the RCAs as they were released. Five RCA tracks showed up on a Bluebird cd called "The Arrangers". This long out of print is priceless - it also includes the Gil Evans and George Russell tracks from the RCA Hal McKusick lp. The real prize is seven tracks from an unissued Johnny Carisi date. All of the sidemen have histories. I'm sure internet searches will inform you about them. Altoist Buzzy Renn shows up on the Uptown Dodo Marmarosa cd. Kevin Whitehead did a decent review of the OJC disc on Terry Gross's "Fresh Air". You can listen at http://freshair.npr.org/week_fa.jhtml

Don't care for Nugent but I have never fired at his house.

According to Bruynincks, Trio is July 27 and Quartet is July 28.

At a Jazz Times convention in DC around 1981, I was privy to a discussion about this date. Participants included Keepnews and Max. Orrin said they never got a complete take and the record was a "splice job". Max said this was Monk's way of getting the musicians some extra money via "overtime". I thought this was Roach's way of "sticking it to the man". Keepnews was not a happy camper. Later, at the bar, I thanked OK for the Ernie Henry dates and he went off into the world of "people he lost money on".

If you don't have the SteepleChase "Swiss Nights", get these first. Finer Dex!

Sorry for the delay - hope I didn't take too long. My interest is in the "business side" of the label. With the boom caused by the 12 inch lp, I'm curious about the volume of output. The following info is a fairly accurate listing of sessions per year, beginning in '55 going through '70. 1955 - 31 sessions 1956 - 42 1957 - 65* 1958 - 37 1959 - 37 1960 - 99** 1961 - 105 1962 - 79 1963 - 45*** 1964 - 59 1965 - 38 1966 - 40 1967 - 48 1968 - 45 1969 - 33 1970 - 27 * I suspect this spike is a combined effect of a general increased record sales and the commercial success of Miles. ** This is a year of full steam recording for New Jazz, Moodsville, Swingville, Bluesville, etc. *** This is the end of the sub-labels and consolidation of all new releases to Prestige. I guess I'm curious about the source of cash that generated the '57 and '60 spikes and the reason for the retreat in '63. Was any of this fluctuation a result of the arrival or departure of different producers. All sessions from 55/56 are Weinstock produced as are most from 1957. Esmond Edwards takes over in the last half of 58 and continues to do the majority of sessions until mid '62 when Ozzie Cadena takes over. Don Schlitten produces some sessions in 1963, etc. I hope this info generates some question ideas for you.