Just playing this Thornhill album and rereading Mike Zwerin's memories of touring with Thornhill against it (here, starting with "Claude Thornhill loved confusion.") In particular, Zwerin remembers that "Arrangements written for full sections were being played by only one trombone, two trumpets, four saxophones, and a now guitarless rhythm section, plus the essential French horn". But for this album, there's a full big band again with some studio pros like Frank Rehak, Urbie Green, Barry Galbraith...