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Horace Tapscott "Thoughts Of Dar Es Salaam" (Arabesque) 1997 .... Billy Hart a driving force ....

Thanks to all who participated. Most tracks were identified, and all generated some nice responses. Since its Thanksgiving weekend, I'm putting in some dessert tracks that in once way or another tie in to the official tracks in some form or fashion. ***TRACK ONE - THE HEADHUNTERS - God Make Me Funky from Survival of the Fittest Paul Jackson bs, vcl; Benny Maupin - ts; Mike Clark - dr, Blackbyrd McNight - gtr; The Pointer Sisters - vcls Bought this album on the spot when the record store played this cut loud as fuck. The opening was enough, but then when Bennie Maupin began...disintegrating, that sealed the deal. Also try to check out Paul Jackson's Black Octopus record. It's a trip. DESSERT: Same thing only totally different,   ***TRACK TWO - DON ELLIS - Hey Jude - From Don Ellis At Fillmore Don Ellis was consistently inconsistent. This album is as well, but this cut is certainly mad genius. I do believe that it's total "fuck you" towards the whole thing, down to using the quarter-tone trumpets to may four notes out of two (listen to the section that leads into the second part of the bridge). But that intro...yes it's nothing but pure electronic music, even if he does slip in a tiny bit of foreshadowing the sone once or twice. DESSERT: Self-Explanatory.   ***TRACK THREE - STAN GETZ - Trains and Boats and Plains from  What The World Needs Now (Stan Getz Plays Bacharach And David) Esmond Edward - prod; Richard Evans- arr; Chick Corea - p; Phil Upchurc - g;Walter Booker - b;R oy Haynes- dr The thing for me here is the mood, especially how Getz plays with the chart. Everything is perfect for this song. But, I was more than a little shocked to discover that Stan was playing over tracks there were recorded months earlier in Chicago! So whover is playing that second tenor, congratulations, Mr. Unknown And congratulations Stan Getz, who is at his lonely, melodic best. DESSERT: Stan making another "easy listening" album by playing subtle lyricism, and this time chuckling to himsel as he so does:   ***TRACK FOUR - PROPELLERHEADS + MARTHA WAINRIGHT -  Star Crossed Lovers from Red Hot + Indigo Don't know who Propellerheads are, the occasional research turns up nothing that sounds like this! Same thing for Martha Wainwright, although  I know her by reputation, The album is this https://www.discogs.com/master/2130475-Various-Red-Hot-Indigo?srsltid=AfmBOopl0p_OIaCTViU1oFvbvw4ea7ziGJQvVZuH452cN_HXWEqG4qqx  It looks good on paper, and isn't at all bad, but this is the standout cut for me. A totally original re-contextualization of the original theme and music.  It's stuck with me literally for decades. DESSERT: What else?   ***TRACK FIVE - THE BACKROOM BANDITS – You Don't Know What Love Is from a bootleg house single https://www.discogs.com/release/556952-The-Backroom-Bandits-You-Dont-Know-What-Love-Is Oh, the things you can find on the internet! This is a remix of a Kurt Elling Blue Note cut, Both have there charms, but I like this remix for it's foot-shuffling stoned dancing overall flayvagroove. I'm in NO way a Kurt Elling fan, but this one works for me just fine. Maybe it's the song? DESSERT: The OG   ***TRACK  SIX - SUN RA - Makeup from A Fireside Chat With Lucifer Sun Ra, John Gilmore, & Samarai Celestial (aka Eric Walker) Nothing else like this on the record, and it took a few times for it to reveal itself to me, but so much of Ra is like that for me. But once it did....it's not/ever obvious, sounds like one thing, turns into something else. That's Ra. DESSERT: June Tyson!   ***TRACK SEVEN - SONNY ROLLINS ILL WATROUILL- Amanda from Falling In Love With Jazz Rollins; Clifton Anderson - tbn; Jerome Harris - gtr; Mark Soskin- piano/Korg Mi; Bob Cranshaw - el bs; Jack DeJohnette - dr No love for the Korg (awwwwww) Some unexpected love for the oft-maligned Clifton Anderson, and NO  recognition OR love for Jack DeJohnette. On that last point, I am surprised! DESSERT: Maybe we'd prefer Tony?   ***TRACK EIGHT -  BILL WATROUS with The Walter Raim Concept- How Long Has this Been Going On from Love Themes For The Underground, The Establishment & Other Sub Cultures Not Yet Known No idea what, where, or how. Watrous was in the Merv Griffin band at the time, but that's useless information. So were Bill Berry & Jim Hall, And The Walter Raim concept appear to have been a bunch of session singers(?) who made the softest of Soft Rockpop records you can imagine, And yet....THIS!!! DESSERT - One more!   ***TRACK NINE - JAMES BROWN - Can't Stand It "76" from Hell Personnel not given, but definitely John Morgan - dr; Maceo Parker - as; Cheese Martin - one of the giutarists 1974, Hell, the engine was about to die, the wheels about to come off the bus for many reasons, but here is JB, weightless, possibly a little (or more) high, just levitating deeper and deeper into this groove and saying whatever comes into his mind without hesitation. These are not "lyrics", but damn, they still paint a picture and they still  are as deep in the pocket as they can be. Past that, what else do you want?!?!?! And I dig how Brown and Maceo understand each other so much that when Maceo starts playing (which in and of itself creates yet another lay of ricocheting accents), Brown immediately tells him to slow it down, which Maceo does immediate, not by playing slower note values, but by leaving more space between the notes that he does play. Truly some remarkable music by a group that was about to be gone. DESSERT: Maceo went to P-Funk world, and George Clinton knew a thing or too about extended trance jams. Maceo fit in just fine.   Barbecue me, Baby.  

Paco de Lucia classic .... btw superb sound too ....

It took a number of years until his next (and final ?) release, which didn`t reach the lofty heigths of the premiere album .... although released on Mute no follow up materialized and he seemingly got lost in the shadows ....